"Les Sylphides (orch. R. Douglas): III. Waltz (Op. 70, No. 1)" by Frédéric Chopin, Roy Douglas, Berlin Radio Symphony Orchestra, Heinz Fricke was released on August 1, 2010. The duration of Les Sylphides (orch. R. Douglas): III. Waltz (Op. 70, No. 1) is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Les Sylphides (orch. R. Douglas): III. Waltz (Op. 70, No. 1)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 13 in Delibes: Coppelia Ballet Suite - Chopin: Les Sylphides by Heinz Fricke. Les Sylphides (orch. R. Douglas): III. Waltz (Op. 70, No. 1) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Les Sylphides (orch. R. Douglas): III. Waltz (Op. 70, No. 1) by Frédéric Chopin, Roy Douglas, Berlin Radio Symphony Orchestra, Heinz Fricke is Lento (slowly), since this song has a tempo of 49 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hérold & Lanchbery: La fille mal gardée, Act 1: No. 16c, Pas de deux de Fanny Elssler. Adage | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | E♭ Major | 0 | 5B | 142 BPM | ||
Symphonie fantastique, Op. 14, H. 48: II. Un bal: Allegro non troppo | Hector Berlioz, Slovak Radio Symphony Orchestra, Pinchas Steinberg | C Major | 1 | 8B | 118 BPM | ||
Nocturne No. 20 in C-Sharp Minor, Op. posth. (arr. N. Milstein) | Nathan Milstein, Frédéric Chopin, Elissa Lee Koljonen, Robert Koenig | D♭ Minor | 1 | 12A | 81 BPM | ||
La Bayadere: 10. "Pas De Deux - Nikiya and Solor - Slower Tempo" (Bonus Track) | Evergreen Symphony Orchestra, Kevin Galiè | B♭ Major | 0 | 6B | 67 BPM | ||
Concert Waltz In D Major Op. 47 (Glazunov) | Mariinsky Orchestra | D Major | 2 | 10B | 76 BPM | ||
Concertstück in F Major, Op. 86: II. Romanze. Ziemlich langsam | Robert Bonnevie, Mark Robbins, David C. Knapp, Scott Wilson, Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | B♭ Major | 0 | 6B | 84 BPM | ||
Carnival Overture, Op. 92 | Antonín Dvořák, Leonard Bernstein, New York Philharmonic | D Major | 3 | 10B | 145 BPM | ||
Les Sylphides: 7. Valse | Frédéric Chopin, National Philharmonic Orchestra, Richard Bonynge | D♭ Minor | 1 | 12A | 79 BPM | ||
Giselle: Act I: Retour de la vendange et valse (The Grape-Pickers Return) | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 0 | 10B | 134 BPM | ||
La source, ou Naila: Suite No. 3: La Source: Intermezzo (Pas des Fleurs, Grande Valse) | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A Major | 0 | 11B | 125 BPM |