"Les Sylphides (orch. R. Douglas): III. Waltz (Op. 70, No. 1)" by Frédéric Chopin, Roy Douglas, Berlin Radio Symphony Orchestra, Heinz Fricke was released on August 1, 2010. The duration of Les Sylphides (orch. R. Douglas): III. Waltz (Op. 70, No. 1) is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Les Sylphides (orch. R. Douglas): III. Waltz (Op. 70, No. 1)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 13 in Delibes: Coppelia Ballet Suite - Chopin: Les Sylphides by Heinz Fricke. Les Sylphides (orch. R. Douglas): III. Waltz (Op. 70, No. 1) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Les Sylphides (orch. R. Douglas): III. Waltz (Op. 70, No. 1) by Frédéric Chopin, Roy Douglas, Berlin Radio Symphony Orchestra, Heinz Fricke is Lento (slowly), since this song has a tempo of 49 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Paulli: The Kermesse in Bruges or The Three Gifts (Excerpts): Pas de deux, (a) Duet between Carelis and Eleonore | Holger Simon Paulli, Copenhagen Philharmonic Orchestra/Ole Schmidt, Ole Schmidt, Copenhagen Philharmonic Orchestra | D Major | 0 | 10B | 81 BPM | ||
Giselle: Act I: Entree de Giselle | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | G Major | 0 | 9B | 136 BPM | ||
Rachmaninov: 12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. for Violin and Piano) | Sergei Rachmaninoff, Itzhak Perlman, Samuel Sanders | B♭ Major | 0 | 6B | 101 BPM | ||
Coppelia Ballet Suite: Slav Theme and Variations | Léo Delibes, Slovak Radio Symphony Orchestra, Ondrej Lenard | E Major | 0 | 12B | 125 BPM | ||
Ständchen in D Minor (After Schubert), S. 560 | Franz Liszt, Lise de la Salle | D Major | 0 | 10B | 76 BPM | ||
Der Freischütz, J. 277 / Act I: Walzer | Carl Maria von Weber, Staatskapelle Dresden, Carlos Kleiber | A Major | 4 | 11B | 182 BPM | ||
Debussy: 2 Arabesques, CD 74, L. 66: No. 1, Andantino con moto | Claude Debussy, Monique Haas | D♭ Minor | 0 | 12A | 81 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: IV. Finale: Allegro guerriero | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 97 BPM | ||
Symphony No. 4 in A Major, Op. 90, MWV N16 "Italian": IV. Saltarello. Presto | Felix Mendelssohn, Cologne New Philharmonic Orchestra, Volker Hartung | A Minor | 2 | 8A | 100 BPM | ||
Giselle: Peasant pas de deux (arr. March): Act I: Alegretto: Second Men's Variation | Franz Burgmüller, March, Sofia National Opera Orchestra, Boris Spassov | B Major | 1 | 1B | 88 BPM |