Léo Delibes, Slovak Radio Symphony Orchestra, Ondrej Lenard's 'Coppelia Ballet Suite: Slav Theme and Variations' came out on November 6, 1990. With this song being about 5 minutes long, at 5:16, "Coppelia Ballet Suite: Slav Theme and Variations" by Léo Delibes, Slovak Radio Symphony Orchestra, Ondrej Lenard is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 21 in Delibes: Best of French Ballet by Léo Delibes. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Coppelia Ballet Suite: Slav Theme and Variations's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Coppelia Ballet Suite: Slav Theme and Variations by Léo Delibes, Slovak Radio Symphony Orchestra, Ondrej Lenard is Allegro (fast, quick, and bright), since this song has a tempo of 125 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
Scheherazade: The princess in a palanquin | Nikolai Rimsky-Korsakov, Joakim Svenheden | G Major | 1 | 9B | 166 BPM | ||
Die Puppenfee (The Fairy Doll): Vorspiel: Allegro | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | G Major | 1 | 9B | 123 BPM | ||
Brook Green Suite: I. Prelude | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 2 | 7B | 123 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: IV. Finale: Allegro guerriero | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 97 BPM | ||
3 Small Tone Poems: No. 1. Summer Evening | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | D Major | 0 | 10B | 90 BPM | ||
Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante | Felix Mendelssohn, Hilary Hahn, Hugh Wolff, Oslo-Filharmonien | G Major | 1 | 9B | 174 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): The Bird | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Major | 0 | 8B | 99 BPM | ||
Tannhauser, Act III: Begluckt darf nun dich, o Heimat, ich schauen ("Pilgrims' Chorus") | Richard Wagner, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Johannes Wildner | D Major | 4 | 10B | 129 BPM | ||
Bolt, Op. 27a (Ballet Suite No. 5): III. The Drayman's Dance (Variations) | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | F Minor | 3 | 4A | 82 BPM |