"Giselle: Act I: Entree de Giselle" by Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia was released on November 3, 1994. Giselle: Act I: Entree de Giselle is about six minutes long, preciously at 5:47, making this song fairly long compared to other songs. The song is number 4 out of 35 in Adam: Giselle (Complete Ballet) by Adolphe Adam. Based on our statistics, Giselle: Act I: Entree de Giselle's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Giselle: Act I: Entree de Giselle by Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia is Allegro (fast, quick, and bright), since this song has a tempo of 136 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Henning Kraggerud, Bournemouth Symphony Orchestra, Bjarte Engeset | D Major | 2 | 10B | 119 BPM | ||
Bruch: Ave Maria, Op. 61 | Max Bruch, Han-Na Chang, Leonard Slatkin, Philharmonia Orchestra | A Minor | 1 | 8A | 89 BPM | ||
Waltz No. 1 in E-Flat Major, Op. 18, "Valse brillante" | Frédéric Chopin, Idil Biret | B♭ Minor | 1 | 3A | 94 BPM | ||
La Cenerentola: Overture (Sinfonia) | Gioachino Rossini, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Minor | 1 | 8A | 116 BPM | ||
Suite in A Major 'American Suite', Op. 98b, B. 190: Suite in A Major 'American Suite', Op. 98b, B. 190: I. Andante con moto | Antonín Dvořák, Luzerner Sinfonieorchester, James Gaffigan | A Major | 0 | 11B | 157 BPM | ||
Die Entfuhrung Aus Dem Serail (Abduction From The Seraglio), K. 384: Final Chorus | Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Wolfgang Amadeus Mozart, C. F. Bretzner | D Minor | 4 | 7A | 72 BPM | ||
Violin Concerto No. 3 In E Major, MS 50: II. Adagio, Cantabile Spianato | Erno Rozsa, Slovak Radio Symphony Orchestra, Niccolò Paganini | A Major | 0 | 11B | 98 BPM | ||
Carissima | Edward Elgar, New Zealand Symphony Orchestra, James Judd | E Minor | 2 | 9A | 87 BPM | ||
Othello Suite: Venice (Nocturne) | Aram Khachaturian, Viktor Simcisko, Jana Valášková, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Adriano | E Minor | 0 | 9A | 83 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": Var. 9, Nimrod | Edward Elgar, Daniel Barenboim, London Philharmonic Orchestra | E♭ Major | 1 | 5B | 66 BPM |