Frédéric Chopin, Idil Biret made "Waltz No. 1 in E-Flat Major, Op. 18, "Valse brillante"" available on June 10, 1992. With this song being about 5 minutes long, at 5:29, "Waltz No. 1 in E-Flat Major, Op. 18, "Valse brillante"" by Frédéric Chopin, Idil Biret is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 24 in Chopin: Waltzes (Complete) by Frédéric Chopin. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Waltz No. 1 in E-Flat Major, Op. 18, "Valse brillante" is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Waltz No. 1 in E-Flat Major, Op. 18, "Valse brillante" by Frédéric Chopin, Idil Biret is Andante (at a walking pace), since this song has a tempo of 94 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Notebook for Anna Magdalena Bach, 1725) | Gottfried Heinrich Stölzel, Daniil Trifonov | E♭ Major | 0 | 5B | 133 BPM | ||
Piano Sonata No. 2 in B-Flat Minor, Op. 36 (1913 version): I. Allegro agitato | Sergei Rachmaninoff, Idil Biret | B♭ Minor | 1 | 3A | 67 BPM | ||
Violin Concerto in A minor, Op.53: 3. Finale (Allegro giocoso, ma non troppo) | Antonín Dvořák, Julia Fischer, Tonhalle Orchester Zürich, David Zinman | A Major | 1 | 11B | 137 BPM | ||
Rondo à la Krakowiak in F Major, Op. 14: Rondo. Allegro non troppo - Poco meno mosso | Frédéric Chopin, Jan Lisiecki, NDR Elbphilharmonie Orchester, Krzysztof Urbański | F Major | 2 | 7B | 129 BPM | ||
Keyboard Sonata in E Major, Kk. 135 (L. 224): Allegro | Domenico Scarlatti, Ivo Pogorelich | E Major | 1 | 12B | 181 BPM | ||
4 Impromptus, Op.90, D.899: 3. Impromptu In G-Flat Major | Roger Woodward | A♭ Major | 1 | 4B | 87 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: IV. Carillon | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E Major | 0 | 12B | 143 BPM | ||
Piano Concerto in A Minor, Op. 16: II. Adagio - Remastered | Edvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | D♭ Major | 0 | 3B | 86 BPM | ||
Symphony No. 3 in G Minor, Op. 36: I. Adagio - Allegro | Louise Farrenc, North German Radio Symphony, Hannover, Johannes Goritzki | G Minor | 1 | 6A | 97 BPM | ||
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: I. Andante sostenuto | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | G Minor | 2 | 6A | 94 BPM |