"Appalachian Spring - 1945 Suite: 1. Very slowly" by Aaron Copland, London Symphony Orchestra, Antal Doráti was released on January 1, 1991. The duration of Appalachian Spring - 1945 Suite: 1. Very slowly is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Appalachian Spring - 1945 Suite: 1. Very slowly's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 19 in Copland: Appalachian Spring; Billy the Kid; El Salon Mexico; Danzon Cubano by Aaron Copland, London Symphony Orchestra, Minnesota Orchestra, Antal Doráti. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Appalachian Spring - 1945 Suite: 1. Very slowly is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Appalachian Spring - 1945 Suite: 1. Very slowly by Aaron Copland, London Symphony Orchestra, Antal Doráti is Andante (at a walking pace), since this song has a tempo of 84 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne | Alexander Borodin, HAUSER, Robert Ziegler, London Symphony Orchestra | A Major | 3 | 11B | 83 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op. 61, MWV M 13: 7. Notturno | Felix Mendelssohn, London Symphony Orchestra, Peter Maag | E Major | 0 | 12B | 68 BPM | ||
Symphony No. 5 in D Minor, Op. 107, MWV N 15 "Reformation": III. Andante | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | G Minor | 0 | 6A | 67 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Bruch: Scottish Fantasy, Op. 46: IV. Finale. Allegro guerriero | Max Bruch, Itzhak Perlman, Jesús López-Cobos, New Philharmonia Orchestra | E♭ Major | 1 | 5B | 104 BPM | ||
Cello Concerto in A Minor, Op. 129: II. Langsam | Robert Schumann, Yo-Yo Ma, Sir Colin Davis, Bavarian Radio Symphony Orchestra | F Major | 0 | 7B | 86 BPM | ||
Pelléas et Mélisande, (Suite), Op. 46: II. Mélisande | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | B♭ Minor | 0 | 3A | 78 BPM | ||
Piano Concerto in A minor, Op. 16: 1. Allegro molto moderato | Edvard Grieg, Sir Clifford Curzon, London Symphony Orchestra, Oivin Fjeldstad | E♭ Major | 1 | 5B | 116 BPM | ||
Variations on an Original Theme, Op. 36, "Enigma": Theme - Andante | Edward Elgar, Sir Colin Davis, London Symphony Orchestra | G Minor | 0 | 6A | 91 BPM | ||
Carmina Burana: II. Fortune plango vulnera | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | A Minor | 2 | 8A | 120 BPM |