"Cello Concerto in A Minor, Op. 129: II. Langsam" by Robert Schumann, Yo-Yo Ma, Sir Colin Davis, Bavarian Radio Symphony Orchestra was released on 1988. With this song being about 5 minutes long, at 4:47, "Cello Concerto in A Minor, Op. 129: II. Langsam" by Robert Schumann, Yo-Yo Ma, Sir Colin Davis, Bavarian Radio Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "Schumann: Cello Concerto; Adagio & Allegro; Fantasiestücke (Remastered)". In this album, this song's track order is #2. Cello Concerto in A Minor, Op. 129: II. Langsam is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cello Concerto in A Minor, Op. 129: II. Langsam by Robert Schumann, Yo-Yo Ma, Sir Colin Davis, Bavarian Radio Symphony Orchestra having a テンポ of 86 with a half-time of 43 テンポ and a double-time of 172 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kreisleriana, Op.16: 4. Sehr langsam | Robert Schumann, Martha Argerich | C Minor | 0 | 5A | 53 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Major | 0 | 2B | 69 BPM | ||
Pelléas et Mélisande - Incidental Music To Maeterlinck's Play, Op.46 (1905): 1. At The Castle Gate | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 92 BPM | ||
Concerto in C minor for Cello, Strings and Basso continuo, RV 401: III. Allegro ma non molto | Antonio Vivaldi, Yo-Yo Ma, Amsterdam Baroque Orchestra, Ton Koopman | B Minor | 1 | 10A | 166 BPM | ||
Cello Suite No. 4 in E-Flat Major, BWV 1010: IV. Sarabande | Johann Sebastian Bach, Yo-Yo Ma | C Minor | 1 | 5A | 96 BPM | ||
Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Variation II: Tempo della thema | Pyotr Ilyich Tchaikovsky, Yo-Yo Ma, Lorin Maazel, Pittsburgh Symphony Orchestra | F♯ Major | 0 | 2B | 83 BPM | ||
Symphony No. 3 in D Major, D. 200: II. Allegretto (Live) | Franz Schubert, Bavarian Radio Symphony Orchestra, Mariss Jansons | D♭ Minor | 0 | 12A | 89 BPM | ||
King Gesar: Pt. 3, Gesar in the Desert | Peter Lieberson, Yo-Yo Ma, Peter Serkin, Emanuel Ax | A♭ Major | 2 | 4B | 84 BPM | ||
Schumann: 12 Gedichte aus Friedrich Rückerts "Liebesfrühling", Op. 37: No. 6, Liebste, was kann denn uns scheiden? (Heiter) | Clara Schumann, Friedrich Rückert, Robert Schumann, Erik Werba | A♭ Major | 2 | 4B | 95 BPM | ||
Piano Concerto in A Minor, Op. 54: II. Intermezzo. Andantino grazioso | Robert Schumann, Martha Argerich, National Symphony Orchestra Washington, Mstislav Rostropovich | F Major | 0 | 7B | 105 BPM |