"La Damnation de Faust, Op.24 / Part 4: Apothéose de Marguerite. "Remonte au ciel, âme naïve"" by Hector Berlioz, Claudine Castagnol, Daniel Barenboim, Orchestre de Paris, Choeur de l'Orchestre de Paris, Arthur Oldham, Choeur d'Enfants de Paris, Robert Magnuson was released on May 23, 2020. With La Damnation de Faust, Op.24 / Part 4: Apothéose de Marguerite. "Remonte au ciel, âme naïve" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 75 in the song's album "Romantic Vol.3". In this album, this song's track order is #6. Based on our statistics, La Damnation de Faust, Op.24 / Part 4: Apothéose de Marguerite. "Remonte au ciel, âme naïve"'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Damnation de Faust, Op.24 / Part 4: Apothéose de Marguerite. "Remonte au ciel, âme naïve" by Hector Berlioz, Claudine Castagnol, Daniel Barenboim, Orchestre de Paris, Choeur de l'Orchestre de Paris, Arthur Oldham, Choeur d'Enfants de Paris, Robert Magnuson having a テンポ of 126 with a half-time of 63 テンポ and a double-time of 252 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 1 in A-Flat Major, Op. 55: II. Allegro molto | Edward Elgar, London Symphony Orchestra, Sir Colin Davis | D Major | 1 | 10B | 128 BPM | ||
String Quintet In C, D. 956: 3. Scherzo (Presto) - Trio (Andante sostenuto) | Franz Schubert, Mstislav Rostropovich, Emerson String Quartet | C Major | 2 | 8B | 107 BPM | ||
Symphony No. 4 in G Major: IV. Sehr behaglich: "Wir genießen die himmlischen Freuden" | Gustav Mahler, Juliane Banse, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 110 BPM | ||
Prokofiev: Romeo and Juliet, Op. 64, Act 1, Scene 1: Introduction | Sergei Prokofiev, André Previn, London Symphony Orchestra | B Major | 0 | 1B | 105 BPM | ||
Les biches Suite, FP 36b: I. Rondeau | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | C Major | 1 | 8B | 79 BPM | ||
Symphony No. 8 in G Minor, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 130 BPM | ||
Lohengrin, WWV 75 / Act III: Prelude to Act III | Richard Wagner, Wiener Philharmoniker, Claudio Abbado | D Major | 1 | 10B | 94 BPM | ||
Symphony No. 2 in B-Flat major, D. 125: II. Andante | Franz Schubert, Günter Wand | A Minor | 3 | 8A | 168 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 11. G.R.S. (Allegro di molto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | D Major | 3 | 10B | 85 BPM | ||
Die Walküre, WWV 86B / Act I: Orchestervorspiel | Richard Wagner, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 2 | 6B | 127 BPM |