Richard Wagner, Berliner Philharmoniker, Herbert von Karajan's 'Die Walküre, WWV 86B / Act I: Orchestervorspiel' came out on January 1, 1967. The duration of Die Walküre, WWV 86B / Act I: Orchestervorspiel is about 3 minutes long, at 3:27. Based on our data, "Die Walküre, WWV 86B / Act I: Orchestervorspiel" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Wagner: Die Walküre by Cuarteto Ensamble Clásico, Ludwig van Beethoven, Maurizio Pollini, Ludwig van Beethoven, Alessio Bax, Claudio Monteverdi, Pablo Heras-Casado, Balthasar-Neumann-Chor & Solisten, Balthasar-Neumann-Ensemble, Richard Wagner, Berliner Philharmoniker, Herbert von Karajan. The song's track number on the album is #1 out of 45 tracks. Based on our statistics, Die Walküre, WWV 86B / Act I: Orchestervorspiel's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Die Walküre, WWV 86B / Act I: Orchestervorspiel by Richard Wagner, Berliner Philharmoniker, Herbert von Karajan has a tempo of 127 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Die Walküre, WWV 86B / Act I: Orchestervorspiel being at 127 テンポ, the half-time would be 64 テンポ with a double-time of 254 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lohengrin, WWV 75: Prelude to Act 1 | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | A Major | 1 | 11B | 72 BPM | ||
Peer Gynt Suite No.1, Op.46: 3. Anitra's Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | D Minor | 0 | 7A | 84 BPM | ||
Pictures at an Exhibition: Gnomus | Modest Mussorgsky, Berliner Philharmoniker, Herbert von Karajan | B Major | 2 | 1B | 85 BPM | ||
Eugene Onegin, Op. 24, TH. 5: Polonaise | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Herbert von Karajan | D Major | 3 | 10B | 106 BPM | ||
Prélude à l'après-midi d'un faune | Claude Debussy, Berliner Philharmoniker, Claudio Abbado, Emmanuel Pahud | A♭ Minor | 0 | 1A | 84 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von den Hinterweltlern | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 78 BPM | ||
Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 1: The Adoration of the Earth: Introduction | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 69 BPM | ||
Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM | ||
Morgenblätter, Op. 279 | Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 96 BPM | ||
Daphnis et Chloé, M. 57 / Première partie: Danse religieuse - Modéré | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin | A Major | 1 | 11B | 174 BPM |