"Sei Introduttioni teatrali, Op. 4, No. 2: II. Andante, sempre piano -" by Pietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach Collegium was released on April 11, 2023. The duration of Sei Introduttioni teatrali, Op. 4, No. 2: II. Andante, sempre piano - is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Sei Introduttioni teatrali, Op. 4, No. 2: II. Andante, sempre piano -'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 27 in the song's album "Pietro Antonio Locatelli: Sei Introduttioni teatrali, Op. 4". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. In terms of popularity, Sei Introduttioni teatrali, Op. 4, No. 2: II. Andante, sempre piano - is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sei Introduttioni teatrali, Op. 4, No. 2: II. Andante, sempre piano - by Pietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach Collegium having a テンポ of 92 with a half-time of 46 テンポ and a double-time of 184 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fasch : Symphony in G major : IV Presto | Johann Friedrich Fasch, Jean-François Paillard & Orchestre de Chambre Jean-François Paillard, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | D Major | 2 | 10B | 129 BPM | ||
From Samson (Act I): Sinfonia, HWV 57: II. Allegro | George Frideric Handel, Anthony Halstead, Christian Rutherford, The English Concert, Trevor Pinnock | F♯ Major | 4 | 2B | 117 BPM | ||
Armide: Overture | Jean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan Brown | B♭ Major | 1 | 6B | 70 BPM | ||
Concerto in F Major, Seibel 234: 3. Un poco Allegro | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E Major | 0 | 12B | 99 BPM | ||
Concerto for Violoncello and Orchestra in D major: III. Larghetto, con poco moto | Leonardo Leo, Sol Gabetta, Andrés Gabetta | B Minor | 0 | 10A | 77 BPM | ||
Symphony in F Major, J-C 36: II. Andante | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | D♭ Minor | 1 | 12A | 102 BPM | ||
Bach Orchestral Suite No.2 in B Minor, BWV 1076: V. Polonaise | London Conchord Ensemble, Florian Uhlig | B Minor | 1 | 10A | 85 BPM | ||
Violin Concerto in C Minor, Op. 3 No. 2: IIIb. Capriccio No. 4 | Pietro Locatelli, Gli Archi di Firenze, Diego Conti | C Major | 1 | 8B | 98 BPM | ||
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
Concerto for Flute and Oboe in B Minor, FaWV L:h1: I. Allegro | Johann Friedrich Fasch, Jan De Winne, Marcel Ponseele, Il Gardellino | B♭ Minor | 2 | 3A | 93 BPM |