"Die Meistersinger von Nürnberg - Act 2: Zum Teufel mit dir, verdammter Kerl!" by Richard Wagner, Norman Bailey, Adolf Dallapozza, Julia Hamari, Bernd Weikl, Kurt Moll, Hannelore Bode, Werner Klumlikboldt, Gumpoldskirchner Spatzen, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti was released on January 1, 1976. With this song being about 5 minutes long, at 4:50, "Die Meistersinger von Nürnberg - Act 2: Zum Teufel mit dir, verdammter Kerl!" by Richard Wagner, Norman Bailey, Adolf Dallapozza, Julia Hamari, Bernd Weikl, Kurt Moll, Hannelore Bode, Werner Klumlikboldt, Gumpoldskirchner Spatzen, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wagner: Die Meistersinger Von Nurnberg by Richard Wagner, Norman Bailey, Bernd Weikl, René Kollo, Hannelore Bode, Wiener Philharmoniker, Sir Georg Solti. The song's track number on the album is #12 out of 42 tracks. Die Meistersinger von Nürnberg - Act 2: Zum Teufel mit dir, verdammter Kerl! is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Die Meistersinger von Nürnberg - Act 2: Zum Teufel mit dir, verdammter Kerl! by Richard Wagner, Norman Bailey, Adolf Dallapozza, Julia Hamari, Bernd Weikl, Kurt Moll, Hannelore Bode, Werner Klumlikboldt, Gumpoldskirchner Spatzen, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti has a tempo of 86 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Die Meistersinger von Nürnberg - Act 2: Zum Teufel mit dir, verdammter Kerl! being at 86 テンポ, the half-time would be 43 テンポ with a double-time of 172 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Thieving Magpie - From “A Clockwork Orange" | Gioachino Rossini, National Philharmonic Orchestra, Riccardo Chailly | E Major | 2 | 12B | 89 BPM | ||
The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
Tchaikovsky: Variations on a Rococo Theme, Op. 33: Variation VI - Andante | Pyotr Ilyich Tchaikovsky, Munich Philharmonic Orchestra, Valery Gergiev | D Major | 1 | 10B | 117 BPM | ||
Symphony No. 7 in A Major, Op. 92: IV. Allegro con brio | Ludwig van Beethoven, George Szell, Cleveland Orchestra | A Major | 4 | 11B | 139 BPM | ||
Symphony No. 2 in C Minor "Resurrection": III. In ruhig fließender Bewegung | Gustav Mahler, Leonard Bernstein, New York Philharmonic | B Minor | 0 | 10A | 112 BPM | ||
Der Rosenkavalier, Op. 59 / Act 1: Introduction | Richard Strauss, Wiener Philharmoniker, Sir Georg Solti | D Major | 4 | 10B | 103 BPM | ||
Verdi: Messa da Requiem - Libera me: VIId. Libera me, Domine | Giuseppe Verdi, Claudio Abbado, Angela Gheorghiu, Berliner Philharmoniker | C Major | 3 | 8B | 113 BPM | ||
Prokofiev: Symphony No. 1 in D Major, Op. 25, "Classical": II. Larghetto | Sergei Prokofiev, André Previn, London Symphony Orchestra | A Major | 0 | 11B | 104 BPM | ||
Tannhäuser, WWV 70 / Act 3: "Allmächt'ge Jungfrau, hör mein Flehen!" | Richard Wagner, Lise Davidsen, Philharmonia Orchestra, Esa-Pekka Salonen | F♯ Major | 1 | 2B | 177 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: O welche Lust | Ludwig van Beethoven, Juan Sebastian Acosta, Levente Pall, Arnold Schoenberg Chor, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | B♭ Major | 0 | 6B | 100 BPM |