"Albinoni: Concerto a cinque in B-Flat Major, Op. 10 No. 1: II. Adagio" by Tomaso Albinoni, Claudio Scimone, I Solisti Veneti was released on 1970. The duration of Albinoni: Concerto a cinque in B-Flat Major, Op. 10 No. 1: II. Adagio is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Albinoni: Concerto a cinque in B-Flat Major, Op. 10 No. 1: II. Adagio's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 23 in Albinoni's Adagios by Tomaso Albinoni, Claudio Scimone, I Solisti Veneti. Albinoni: Concerto a cinque in B-Flat Major, Op. 10 No. 1: II. Adagio is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Albinoni: Concerto a cinque in B-Flat Major, Op. 10 No. 1: II. Adagio by Tomaso Albinoni, Claudio Scimone, I Solisti Veneti is Larghetto (rather broadly), since this song has a tempo of 63 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia for Strings in G major, RV 149: III. Allegro | Karoly Botvay | D Major | 1 | 10B | 146 BPM | ||
The Seven Last Words of Christ, Hob.XX:2: Sonata II "Fürwahr, ich sag' es dir" (Grave e cantabile) | Franz Joseph Haydn, Cuarteto Casals | C Minor | 0 | 5A | 77 BPM | ||
Concerto for 2 Oboes and String Orchestra in C Major, Op. 7 No. 5: II. Adagio | Tomaso Albinoni, I Solisti Di Perugia, Claudio Brizi, Thomas Indermühle, Jacques Tys, Rino Vernizzi, Frederico del Sordo | A Minor | 1 | 8A | 106 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : I. Largo | Arcangelo Corelli, Ludovit Kanta, Quido Holbling, Anna Holbling, Daniela Ruso, Capella Istropolitana | A Major | 1 | 11B | 81 BPM | ||
Serenade for Strings in C major, Op. 48: II. Walzer: Moderato, tempo di valse | Pyotr Ilyich Tchaikovsky, Moscow Soloists, Yuri Bashmet | G Major | 1 | 9B | 66 BPM | ||
Concerto for Recorder, Transverse Flute, Strings and Continuo in E Minor: IV. Presto | Georg Philipp Telemann, Martin Fröst, Royal Stockholm Philharmonic Orchestra | D Minor | 3 | 7A | 82 BPM | ||
Liebesleid - Arr. Mischa Maisky | Fritz Kreisler, Mischa Maisky, Pavel Gililov | A Minor | 0 | 8A | 83 BPM | ||
Dido and Aeneas: Overture | Henry Purcell, English Baroque Soloists, John Eliot Gardiner | B Minor | 2 | 10A | 166 BPM | ||
The Indian Queen, Z. 630: Trumpet Tune | Henry Purcell, Stephane Beaulac, Vincent Boucher | A Minor | 2 | 8A | 127 BPM | ||
The 4 Seasons: Violin Concerto in E major, Op. 8, No. 1, RV 269, "La primavera" (Spring): II. Largo e pianissimo sempre | Karoly Botvay | D♭ Minor | 0 | 12A | 88 BPM |