"Tannhäuser, Act 2: "Dich, teure Halle, grüss' ich wieder"" by Birgit Nilsson was released on July 5, 2011. The duration of Tannhäuser, Act 2: "Dich, teure Halle, grüss' ich wieder" is about 3 minutes long, at 3:29. Based on our data, "Tannhäuser, Act 2: "Dich, teure Halle, grüss' ich wieder"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 39 in Birgit Nilsson's Greatest Songs and Arias by Birgit Nilsson. In terms of popularity, Tannhäuser, Act 2: "Dich, teure Halle, grüss' ich wieder" is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Tannhäuser, Act 2: "Dich, teure Halle, grüss' ich wieder" by Birgit Nilsson is Andante (at a walking pace), since this song has a tempo of 90 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rusalka, Op. 114 / Act 1: Tvoje moudrost vsechno tusi | Antonín Dvořák, Renée Fleming, Dolora Zajick, Czech Philharmonic Orchestra, Sir Charles Mackerras | E Major | 1 | 12B | 98 BPM | ||
Les Contes d'Hoffmann / Act 1: "Il était une fois à la cour d'Eisenach" (La légende de Kleinzach) | Jacques Offenbach, Plácido Domingo, Robin Leggate, Choeurs de Radio France, Orchestre National De France, Seiji Ozawa | A Minor | 2 | 8A | 94 BPM | ||
Messa di Requiem: Agnus dei | Giuseppe Verdi, Angela Gheorghiu, Claudio Abbado, Berliner Philharmoniker | C Major | 0 | 8B | 90 BPM | ||
Tristan und Isolde, WWV 90 / Act 1: "Auf! Auf! Ihr Frauen!" | Richard Wagner, Birgit Nilsson, Christa Ludwig, Eberhard Waechter, Bayreuth Festival Orchestra, Karl Böhm | C Major | 2 | 8B | 105 BPM | ||
Four Songs, Op 27:4 Morgen (Tomorrow!) | Birgit Nilsson, Geoffrey Parsons | F Major | 1 | 7B | 87 BPM | ||
Das Rheingold, WWV 86A / Vierte Szene: "So grüss' ich die Burg" | Richard Wagner, Josephine Veasey, Gerhard Stolze, Dietrich Fischer-Dieskau, Berliner Philharmoniker, Herbert von Karajan | F Major | 2 | 7B | 168 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act II: (Scene 2) Introduction, Scene and Aria. "Nu, shto zhe?" - "Kuda, kuda, kuda vi udalilis" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Gunter Emmerlich, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
Das Rheingold, WWV 86A / Zweite Szene: "Wotan! Gemahl! Erwache!" | Richard Wagner, Josephine Veasey, Dietrich Fischer-Dieskau, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 1 | 4B | 78 BPM | ||
Die Walküre, WWV 86B / Erster Akt: "Wes Herd dies auch sei, hier muss ich rasten" | Richard Wagner, Gundula Janowitz, Jon Vickers, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 88 BPM | ||
Bizet: Carmen, Act 2: "Votre toast, je peux vouz le rendre"/ "Toréador, en garde!" (Escamillo, Carmen, Frasquita, Mercédès, Moralès, Zuniga) | Georges Bizet, Sir Simon Rattle, Andrè Schuen, Berliner Philharmoniker, Christian Van Horn, Christina Landshammer, Kostas Smoriginas, Magdalena Kozená, Rachel Frenkel | F Major | 2 | 7B | 111 BPM |