On March 1, 1969, the song "En amour, c'est plus joli - Extrait de "Valse de Vienne"" was released by Johann Strauss II, Marcel Merkès, Paulette Merval, Caravelli. The duration of En amour, c'est plus joli - Extrait de "Valse de Vienne" is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. En amour, c'est plus joli - Extrait de "Valse de Vienne"'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Valses de Vienne by Johann Strauss II, Marcel Merkès, Paulette Merval. The song's track number on the album is #2 out of 11 tracks. Based on our data, France was the country where this track was produced or recorded. In terms of popularity, En amour, c'est plus joli - Extrait de "Valse de Vienne" is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since En amour, c'est plus joli - Extrait de "Valse de Vienne" by Johann Strauss II, Marcel Merkès, Paulette Merval, Caravelli has a tempo of 105 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With En amour, c'est plus joli - Extrait de "Valse de Vienne" being at 105 テンポ, the half-time would be 52 テンポ with a double-time of 210 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 2 in B Minor, Op. 7, "La campanella": III. Rondo | Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend | B Minor | 2 | 10A | 105 BPM | ||
Masquerade Suite: Mazurka | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | A♭ Major | 3 | 4B | 178 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): Peter in the meadow | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | E♭ Major | 0 | 5B | 115 BPM | ||
Tannhauser, Act II: Einzug der Gaste auf der Warburg | Richard Wagner, Budapest Symphony Orchestra, György Lehel | B Major | 1 | 1B | 130 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.8 in G Minor (Presto) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | G Major | 2 | 9B | 129 BPM | ||
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
Roses from the South, Op. 388 (Rosen aus dem Suden) | Johann Strauss II, Leonard Bernstein, New York Philharmonic | F Major | 2 | 7B | 101 BPM | ||
Prince Igor (Knyaz Igor): Act II: Polovtsian Dances - Ulyetay na kril'yahk vyetra (Fly away on the wings of the wind) (version for chorus) | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | D Major | 2 | 10B | 110 BPM |