Carl Nielsen, Mette Ejsing, Guido Paevatalu, Franz Lemsser, Bo Anker Hansen, Danish National Radio Chamber Choir, Danish National Radio Symphony Orchestra, Gennady Rozhdestvensky's 'Aladdin, Op. 34, FS 89: No. 11, Oriental Festival March' came out on February 1, 1993. The duration of Aladdin, Op. 34, FS 89: No. 11, Oriental Festival March is about 3 minutes long, at 3:15. Based on our data, "Aladdin, Op. 34, FS 89: No. 11, Oriental Festival March" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 31 in the song's album "Nielsen: Aladdin, Op. 34". In this album, this song's track order is #11. In terms of popularity, Aladdin, Op. 34, FS 89: No. 11, Oriental Festival March is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Aladdin, Op. 34, FS 89: No. 11, Oriental Festival March by Carl Nielsen, Mette Ejsing, Guido Paevatalu, Franz Lemsser, Bo Anker Hansen, Danish National Radio Chamber Choir, Danish National Radio Symphony Orchestra, Gennady Rozhdestvensky having a テンポ of 100 with a half-time of 50 テンポ and a double-time of 200 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Debussy: Petite suite, CD 71, L. 65: IV. Ballet (Orch. Büsser) | Claude Debussy, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | D Major | 3 | 10B | 117 BPM | ||
Wind Quintet, Op. 43: II. Menuet | Carl Nielsen, The Philadelphia Woodwind Quintet | A Major | 1 | 11B | 96 BPM | ||
Prélude à l’après-midi d’un faune, 900846: Debussy: Prélude à l’après-midi d’un faune | Claude Debussy, Mariss Jansons, Bavarian Radio Symphony Orchestra | E♭ Major | 0 | 5B | 82 BPM | ||
Violin Concerto in D Major, Op. 35, TH. 59: II. Romance: Andante | Erich Wolfgang Korngold, Anne-Sophie Mutter, London Symphony Orchestra, André Previn | G Major | 1 | 9B | 73 BPM | ||
La pentola magica, P. 129: Preludio | Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, Adriano | D Minor | 0 | 7A | 91 BPM | ||
Aequali No. 1, WAB 114 | Anton Bruckner, Mark Templeton, Helen Vollam, Patrick Jackman, Nigel Short | C Minor | 0 | 5A | 69 BPM | ||
Nielsen: Wind Quintet, Op. 43, FS 100: I. Allegro ben moderato | Carl Nielsen, Emmanuel Pahud | B Minor | 0 | 10A | 90 BPM | ||
Peer Gynt Suite No.1, Op.46: 3. Anitra's Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | D Minor | 0 | 7A | 84 BPM | ||
Concerto for Violin & Orchestra, Op. 14: III. Presto in moto perpetuo | Samuel Barber, Gil Shaham, London Symphony Orchestra, André Previn | A Minor | 5 | 8A | 97 BPM | ||
Symphony in G Minor, Op. 6, No. 6, W. C12: I. Allegro | Johann Christian Bach, Concerto Köln | F♯ Minor | 1 | 11A | 87 BPM |