"Makrokosmos: No. 16, Gemini. Twin Suns, Doppelgänger aus der Ewigkeit" by George Crumb, Stephanos Thomopoulos was released on March 16, 2018. The duration of Makrokosmos: No. 16, Gemini. Twin Suns, Doppelgänger aus der Ewigkeit is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Makrokosmos: No. 16, Gemini. Twin Suns, Doppelgänger aus der Ewigkeit's duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 24 in Crumb: Makrokosmos by George Crumb, Stephanos Thomopoulos. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Makrokosmos: No. 16, Gemini. Twin Suns, Doppelgänger aus der Ewigkeit is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Makrokosmos: No. 16, Gemini. Twin Suns, Doppelgänger aus der Ewigkeit by George Crumb, Stephanos Thomopoulos is Moderato (at a moderate speed), since this song has a tempo of 116 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 1: III. Intermezzo | Henri Dutilleux, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | E Major | 4 | 12B | 163 BPM | ||
Four Pieces from a Distance: No. 4, Children of the Heavenly Father/Amen | Håkon Daniel Nystedt, Oslo Kammerkor, NyNorsk Messingkvintett, Anders Eidsten Dahl | C Major | 0 | 8B | 70 BPM | ||
Music for Strings, Percussion and Celesta, Sz. 106: 1. Andante tranquillo | Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti | B♭ Minor | 0 | 3A | 85 BPM | ||
Metamorphoses, Book 2: No. 8, From the Faraway, Nearby (Georgia O'Keeffe, 1937) | George Crumb, Marcantonio Barone | F♯ Minor | 0 | 11A | 137 BPM | ||
Metamorphoses, Book 1: No. 7, Clowns at Night (Marc Chagall, 1957) | George Crumb, Marcantonio Barone | B♭ Major | 1 | 6B | 111 BPM | ||
Musica ricercata: No. 2, Mesto, rigido e cerimoniale | György Ligeti, Pierre-Laurent Aimard | F Major | 0 | 7B | 67 BPM | ||
Samoa (1968) for flute, horn, trumpet, harp, vibraphone, piano, and Cello: I | Morton Feldman, Ensemble Recherche | C Major | 0 | 8B | 72 BPM | ||
Thème et variations: I. Thème. Modéré | Olivier Messiaen, Benjamin Frith, Lucy Gould | C Minor | 0 | 5A | 84 BPM | ||
Le marteau sans maître: "L'Artisanat furieux" | Pierre Boulez, Hilary Summers, Ensemble Intercontemporain | F Minor | 0 | 4A | 175 BPM | ||
Mad Song: I. The Wild Winds Weep, and the Night Is A-cold... | Geoffrey Gordon, BBC Scottish Symphony Orchestra, Martyn Brabbins, Dimitri Mestdag | F Major | 1 | 7B | 171 BPM |