Anonymous, Johann Sebastian Bach, Daniel Müller-Schott, Angela Hewitt made "Viola da gamba Sonata in D Major, BWV 1028 (Arr. for Cello & Piano): I. Adagio" available on July 1, 2016. The duration of Viola da gamba Sonata in D Major, BWV 1028 (Arr. for Cello & Piano): I. Adagio is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Viola da gamba Sonata in D Major, BWV 1028 (Arr. for Cello & Piano): I. Adagio's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 14 in Bach: Viola da gamba Sonatas by Daniel Müller-Schott, Angela Hewitt. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Viola da gamba Sonata in D Major, BWV 1028 (Arr. for Cello & Piano): I. Adagio's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Viola da gamba Sonata in D Major, BWV 1028 (Arr. for Cello & Piano): I. Adagio by Anonymous, Johann Sebastian Bach, Daniel Müller-Schott, Angela Hewitt is Moderato (at a moderate speed), since this song has a tempo of 120 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Brandenburg Concerto No. 6 In B Flat Major, BWV 1051: I. Allegro | Cologne Chamber Orchestra, Johann Sebastian Bach | B♭ Major | 2 | 6B | 90 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Fugue No. 1 in C major, BWV 846 | Luc Beauséjour | A♭ Minor | 4 | 1A | 132 BPM | ||
Kleine Präludien: No.3 in D Minor, BWV 926 | Inge Rosar | D Minor | 1 | 7A | 83 BPM | ||
Simphonia V: Chaconne in D Major | Louis-Nicolas Clérambault, Fabio Bonizzoni, La Risonanza | D♭ Major | 1 | 3B | 121 BPM | ||
Oboe Concerto in G Major, TWV 51:2: I. Andante | Georg Philipp Telemann, St. Christopher Chamber Orchestra, Donatas Katkus, Andrius Puskunigis | E Minor | 1 | 9A | 73 BPM | ||
Les Juméles (12e ordre) | François Couperin, Alexandre Tharaud | E Major | 0 | 12B | 69 BPM | ||
Organ Concerto No. 1 in G Minor, Op. 4 No. 1, HWV 289: III. Adagio | George Frideric Handel, Karl Richter, Karl Richter Chamber Orchestra | E Minor | 0 | 9A | 140 BPM | ||
La Couperin (21e ordre) | François Couperin, Alexandre Tharaud | E Minor | 1 | 9A | 118 BPM | ||
Moment Musical in F Minor, Op. 94, No. 3, D. 780 (arr. for chamber ensemble) | Anonymous , Franz Schubert, Budapest Strings, Bela Banfalvi | F Minor | 0 | 4A | 101 BPM | ||
Fantasia No. 1 in B-Flat Major, TWV 40:14: II. Allegro | Georg Philipp Telemann, Federico Guglielmo | A Major | 1 | 11B | 119 BPM |