"Amour malade: Le Damigelle delle Cochette" by Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon was released on May 4, 1998. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Jean-Baptiste Lully's "Lully: Ballet Music for the Sun King" album is number 24 out of 35. Amour malade: Le Damigelle delle Cochette is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Amour malade: Le Damigelle delle Cochette by Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon to be Andante (at a walking pace) because the track has a tempo of 85 テンポ, a half-time of 42テンポ, and a double-time of 170 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Armonico No. 1 in G Major: Grave | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 63 BPM | ||
Purcell : King Arthur : Act 2 "Shepherd, shepherd, leave decoying" [Sopranos] | William Christie | F Minor | 1 | 4A | 94 BPM | ||
Couperin, F: Deuxième leçon de ténèbres pour le Mercredi saint: III. Heth | François Couperin, William Christie, Patricia Petibon, Les Arts Florissants | C Minor | 0 | 5A | 76 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": VII. Hornpipe | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | D♭ Minor | 2 | 12A | 138 BPM | ||
Les Indes galantes, Deuxième Entrée, Scène 1: "Vous devez bannir de votre âme..." (Phani, Carlos, Officier Espagnol) | Jean-Philippe Rameau, Isabelle Poulenard, Jean-Paul Fouchécourt, Les Arts Florissants, William Christie | F♯ Major | 0 | 2B | 40 BPM | ||
The Fairy Queen, Z. 629 / Act 2: Trio: "May the God of Wit inspire" | Henry Purcell, Wynford Evans, Martyn Hill, Stephen Varcoe, English Baroque Soloists, John Eliot Gardiner | B Major | 0 | 1B | 74 BPM | ||
Mensa sonora / PARS I (In D Major): 6. Gigue - Sonatina. Adagio | Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 2 | 3B | 82 BPM | ||
Alcidiane: Chaconne des Maures | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | A Major | 0 | 11B | 80 BPM | ||
Dido and Aeneas, Z. 626: Act II: Chorus: In our deep vaulted cell | Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble | E Major | 1 | 12B | 138 BPM | ||
Sonata in G Major, Op. 2, No. 12 (Ciacona): Ciacona (Largo - Allegro) | Arcangelo Corelli, Simon Standage, Michaela Comberti, Anthony Pleeth, Trevor Pinnock | A Major | 3 | 11B | 68 BPM |