Henry Purcell, Wynford Evans, Martyn Hill, Stephen Varcoe, English Baroque Soloists, John Eliot Gardiner's 'The Fairy Queen, Z. 629 / Act 2: Trio: "May the God of Wit inspire"' came out on January 1, 1982. With The Fairy Queen, Z. 629 / Act 2: Trio: "May the God of Wit inspire" being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 61 in the song's album "Purcell: The Fairy Queen". In this album, this song's track order is #11. The Fairy Queen, Z. 629 / Act 2: Trio: "May the God of Wit inspire" is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Fairy Queen, Z. 629 / Act 2: Trio: "May the God of Wit inspire" by Henry Purcell, Wynford Evans, Martyn Hill, Stephen Varcoe, English Baroque Soloists, John Eliot Gardiner having a テンポ of 74 with a half-time of 37 テンポ and a double-time of 148 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Matthäus Passion, Prima Parte: 13. Aria (Soprano): Ich Will Dir Mein Herze Schenken | Stephen Cleobury, Michael George, Johann Sebastian Bach, Rogers Covey-Crump, Michael Chance, Martyn Hill, Emma Kirkby, Choir of King's College, Cambridge, David Thomas | F♯ Major | 0 | 2B | 72 BPM | ||
Monteverdi: L'Orfeo, favola in musica, SV 318, Act 1: "Lasciate i monti, lasciate i fonti" (Ninfe, Pastori) - Ritornello | Claudio Monteverdi, Emmanuelle Haïm | D Minor | 0 | 7A | 77 BPM | ||
Birthday Ode 1692 Long may she reign over this isle | The Sixteen | B Minor | 2 | 10A | 64 BPM | ||
Purcell : King Arthur : Act 3 "Tis I that have warm'd ye" [Soprano] "Tis love that has warm'd us" [Chorus] | William Christie | B♭ Major | 2 | 6B | 81 BPM | ||
Xerxes Ballet: Air pour les esclaves dansants | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 0 | 3B | 79 BPM | ||
Jesu, meine Freude, BWV 227: So nun der Geist | Johann Sebastian Bach, The Monteverdi Choir, John Eliot Gardiner | E♭ Minor | 2 | 2A | 136 BPM | ||
Intermedes de Xerxes: Air pour les Esclaves dansans (minuet and passepied versions) | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | D♭ Major | 0 | 3B | 180 BPM | ||
Jesu, meine Freude, BWV 227: X. So nun der Geist | Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe, Dorothee Mields, Damien Guillon, Thomas Hobbs, Peter Kooij, Zsuzsi Tóth | E♭ Minor | 2 | 2A | 93 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": V. Air | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | F♯ Minor | 2 | 11A | 91 BPM | ||
Agrippina: X. Aria 'Se giunge un dispetto' (Poppea) | George Frideric Handel, Tafelmusik Baroque Orchestra, Karina Gauvin, Jeanne Lamon | A Major | 3 | 11B | 126 BPM |