Francesco Maria Piave, Giuseppe Verdi, Melitta Muszely /Anneliese Müller/Karl Christian Kohn/Manfred Schmidt /Josef Metternich/Wilhelm Lang/Chor Der Deutschen Staatsoper/Orchester der Deutschen Staatsoper Berlin/Wilhelm Schüchter/Rudolf Schock/Walter Stoll, Wilhelm Schuechter, Wilhelm Schüchter, Orchester Der Deutschen Staatsoper Berlin made "La Traviata · Oper in 3 Akten · Arien und Szenen in deutscher Sprache (2001 - Remaster), Zweiter Akt: - Was sie besaß, sie gab es hin [Ogni Suo Aver Tal Femmina]" available on December 7, 2012. With La Traviata · Oper in 3 Akten · Arien und Szenen in deutscher Sprache (2001 - Remaster), Zweiter Akt: - Was sie besaß, sie gab es hin [Ogni Suo Aver Tal Femmina] being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Verdi auf Deutsch: La Traviata by Giuseppe Verdi, Francesco Maria Piave, Josef Metternich/Melitta Muszely. The song's track number on the album is #17 out of 25 tracks. In terms of popularity, La Traviata · Oper in 3 Akten · Arien und Szenen in deutscher Sprache (2001 - Remaster), Zweiter Akt: - Was sie besaß, sie gab es hin [Ogni Suo Aver Tal Femmina] is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since La Traviata · Oper in 3 Akten · Arien und Szenen in deutscher Sprache (2001 - Remaster), Zweiter Akt: - Was sie besaß, sie gab es hin [Ogni Suo Aver Tal Femmina] by Francesco Maria Piave, Giuseppe Verdi, Melitta Muszely /Anneliese Müller/Karl Christian Kohn/Manfred Schmidt /Josef Metternich/Wilhelm Lang/Chor Der Deutschen Staatsoper/Orchester der Deutschen Staatsoper Berlin/Wilhelm Schüchter/Rudolf Schock/Walter Stoll, Wilhelm Schuechter, Wilhelm Schüchter, Orchester Der Deutschen Staatsoper Berlin has a tempo of 98 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With La Traviata · Oper in 3 Akten · Arien und Szenen in deutscher Sprache (2001 - Remaster), Zweiter Akt: - Was sie besaß, sie gab es hin [Ogni Suo Aver Tal Femmina] being at 98 テンポ, the half-time would be 49 テンポ with a double-time of 196 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chants d'Auvergne, Vol. 1: No. 1. La Pastoura Als Camps (The Shepherdess in the Fields) | Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus | C Minor | 1 | 5A | 62 BPM | ||
La Rondine: Act I: …Forse come la rondine (Magda) | Giacomo Puccini, Svetla Vassileva, Maya Dashuk, Fabio Sartori, Emanuele Giannino, Marzio Giossi, Fernando Luis Ciuffo, Giorgio Berrugi, Andrea Patucelli, Polina Volfson, Alessandra Meozzi, Annunziata Vestri, Puccini Festival Chorus, Puccini Festival Orchestra, Alberto Veronesi | D Minor | 1 | 7A | 76 BPM | ||
La Traviata - Act. Iii - Addio Del Passato | Renata Scotto | A Minor | 1 | 8A | 72 BPM | ||
La Bohème / Act 1: "Che gelida manina" | Jonas Kaufmann, Giacomo Puccini, Prague Philharmonic Orchestra, Marco Armiliato | A♭ Major | 3 | 4B | 68 BPM | ||
Mozart: Le nozze di Figaro, K. 492, Act 2: "Voi che sapete" (Cherubino) | Wolfgang Amadeus Mozart, Daniel Barenboim, Teresa Berganza, English Chamber Orchestra | B Minor | 1 | 10A | 67 BPM | ||
Madama Butterfly (1986 - Remaster), Act II: Con onor muore (Butterfly/Pinkerton) | Giacomo Puccini, Renata Scotto, Carlo Bergonzi, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma | F♯ Minor | 2 | 11A | 79 BPM | ||
Carmen, WD 31 / Act 2: La fleur que tu m'avais jetée | Georges Bizet, Freddie De Tommaso, Philharmonia Orchestra, Paolo Arrivabeni | E♭ Major | 3 | 5B | 96 BPM | ||
Rigoletto, Act III: V'ho Ingannato, Colpevole Fui | Hilde Gueden, Alberto Erede, Orchestra dell'Accademia Nazionale di Santa Cecilia | D♭ Major | 3 | 3B | 107 BPM | ||
Dido and Aeneas, Z. 626: Act III: When I am Laid in Earth | Henry Purcell, Leontyne Price, Francesco Molinari-Pradelli | G Minor | 1 | 6A | 86 BPM | ||
Andrea Chenier (1997 Digital Remaster): La mamma morta | Maria Callas, Tullio Serafin, Philharmonia Orchestra | D Major | 1 | 10B | 79 BPM |