"Rigoletto, Act III: V'ho Ingannato, Colpevole Fui" by Hilde Gueden, Alberto Erede, Orchestra dell'Accademia Nazionale di Santa Cecilia was released on January 1, 2020. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Verdi: Rigoletto by Various Artists. The song's track number on the album is #29 out of 29 tracks. In terms of popularity, Rigoletto, Act III: V'ho Ingannato, Colpevole Fui is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Rigoletto, Act III: V'ho Ingannato, Colpevole Fui by Hilde Gueden, Alberto Erede, Orchestra dell'Accademia Nazionale di Santa Cecilia has a tempo of 107 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Rigoletto, Act III: V'ho Ingannato, Colpevole Fui being at 107 テンポ, the half-time would be 54 テンポ with a double-time of 214 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 5/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Comte Ory, Act I, Scene VIII, No. 4: En proie à la tristesse... Vous que l'on dit sensible... Céleste providence | Gioachino Rossini, Pretty Yende, Marco Armiliato | E♭ Major | 2 | 5B | 88 BPM | ||
Delibes: Lakmé, Act 2: "Où va la jeune hindoue" (Lakmé) | Léo Delibes, Sabine Devieilhe, François-Xavier Roth, Les Siècles | A Major | 1 | 11B | 70 BPM | ||
La gazza ladra: Overture | Gioachino Rossini, Chamber Orchestra of Europe, Claudio Abbado | E Major | 2 | 12B | 99 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act I: "Slikhali l vi za roschei glas nochnoi" | Pyotr Ilyich Tchaikovsky, Mirella Freni, Anne Sofie von Otter, Ruthild Engert-Ely, Rosemarie Lang, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
Rusalka, Op.114 / Act 1: Mesicku na nebi hlubokém | Antonín Dvořák, Renée Fleming, Czech Philharmonic Orchestra, Sir Charles Mackerras | F♯ Major | 0 | 2B | 91 BPM | ||
Carmen (1997 - Remaster), Act I: Carmen! sur tes pas | Georges Bizet, Maria Callas, Nicolai Gedda, Choeurs Rene Duclos, Choeurs D'Enfants Jean Pesneaud, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | A Minor | 1 | 8A | 84 BPM | ||
Le Cid (1997 Digital Remaster): De cet affreux combat....Pleurez, mes yeux | Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre | B Minor | 1 | 10A | 83 BPM | ||
Core 'ngrato | Mario del Monaco | E♭ Major | 4 | 5B | 135 BPM | ||
Rigoletto, Act I: Quel Vecchio Maledivami | Aldo Protti, Alberto Erede, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Minor | 4 | 6A | 73 BPM | ||
Carmen / Act 1: "Quand je vous aimerai?"/Havanaise: "L'amour est un oiseau rebelle" | Georges Bizet, Agnes Baltsa, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | D Major | 0 | 10B | 111 BPM |