"Le Cid (1997 Digital Remaster): De cet affreux combat....Pleurez, mes yeux" by Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre was released on 1997. Le Cid (1997 Digital Remaster): De cet affreux combat....Pleurez, mes yeux is about six minutes long, preciously at 6:08, making this song fairly long compared to other songs. The track order of this song in Maria Callas's "Maria Callas" album is number 12 out of 27. Le Cid (1997 Digital Remaster): De cet affreux combat....Pleurez, mes yeux is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le Cid (1997 Digital Remaster): De cet affreux combat....Pleurez, mes yeux by Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre to be Andante (at a walking pace) because the track has a tempo of 83 テンポ, a half-time of 42テンポ, and a double-time of 166 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pagliacci / Act I: "Qual fiamma avea nel guardo! ... Stridono lassù" | Ruggero Leoncavallo, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A Major | 1 | 11B | 78 BPM | ||
Donizetti: Lucia di Lammermoor, Act 3: "Spargi d'amaro pianto" (Lucia, Raimondo, Chorus, Enrico) [Live] | Gaetano Donizetti, Maria Callas, Nicola Zaccaria, Rolando Panerai, Herbert von Karajan, RIAS Sinfonie-Orchester Berlin | E♭ Major | 3 | 5B | 81 BPM | ||
Delibes: Lakmé, Act 2: "Où va la jeune indoue" (Lakmé) | Léo Delibes, Maria Callas, Tullio Serafin, Philharmonia Orchestra | E Minor | 1 | 9A | 173 BPM | ||
Puccini: La bohème, Act 1: "Sì. mi chiamano Mimì" (Mimì/Rodolfo) | Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | D Major | 1 | 10B | 78 BPM | ||
Gounod: Faust, CG 4, Act 4 Scene 3: No. 21, Scène de l'église, (b) "Souviens-toi du passé" (Méphistophélès, Marguerite) | Charles Gounod, Nicolai Ghiaurov, Georges Prêtre, Orchestre de l'Opéra National de Paris | A♭ Major | 1 | 4B | 114 BPM | ||
Louise (2002 - Remaster): Depuis le jour (Act III) | Gustave Charpentier, Maria Callas, Orchestra della Radiotelevisione Italiana, Roma, Alfredo Simonetto, Orchestre Della Radiotelevisione Italiana, Roma | G Major | 1 | 9B | 144 BPM | ||
Le Nozze di Figaro, K.492 (1997 - Remaster): Porgi, amor | Wolfgang Amadeus Mozart, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | E♭ Major | 1 | 5B | 79 BPM | ||
Il bacio | Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 1 | 9B | 173 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | C Major | 3 | 8B | 93 BPM | ||
Cavalleria rusticana: Voi lo sapete, o mama | Pietro Mascagni, Lise Davidsen, Rosalind Plowright, London Philharmonic Orchestra, Sir Mark Elder | E Major | 1 | 12B | 86 BPM |