"Mozart: Don Giovanni, K. 527, Act 1 Scene 16: Recitativo, "Masetto, senti un po'!" (Zerlina, Masetto)" by Wolfgang Amadeus Mozart, Susanne Mentzer/Natale de Carolis/Wiener Philharmoniker/Riccardo Muti was released on October 31, 1988. With Mozart: Don Giovanni, K. 527, Act 1 Scene 16: Recitativo, "Masetto, senti un po'!" (Zerlina, Masetto) being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Riccardo Muti's "Mozart: The Da Ponte Operas" album is number 3 out of 214. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Mozart: Don Giovanni, K. 527, Act 1 Scene 16: Recitativo, "Masetto, senti un po'!" (Zerlina, Masetto) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Mozart: Don Giovanni, K. 527, Act 1 Scene 16: Recitativo, "Masetto, senti un po'!" (Zerlina, Masetto) by Wolfgang Amadeus Mozart, Susanne Mentzer/Natale de Carolis/Wiener Philharmoniker/Riccardo Muti to be Moderato (at a moderate speed) because the track has a tempo of 114 テンポ, a half-time of 57テンポ, and a double-time of 228 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
The music key of this track is A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le nozze di Figaro, K.492 / Act 1: "Cos'è questa commedia?" | Wolfgang Amadeus Mozart, Edith Mathis, Dietrich Fischer-Dieskau, Hermann Prey, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Karl Böhm | E Minor | 2 | 9A | 68 BPM | ||
Die Zauberflöte, K.620, Act II: Seid uns zum zweiten Mal willkommen (Knaben) | Wolfgang Amadeus Mozart, Tölzer Knabenchor/Symphonieorchester des Bayerischen Rundfunks/Bernard Haitink, Bernard Haitink, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra | C Minor | 1 | 5A | 86 BPM | ||
Die Zauberflöte / Act 1: "Der Vogelfänger bin ich ja" | Wolfgang Amadeus Mozart, Michael Kraus, Uwe Heilmann, Adrianne Pieczonka, Annette Kuettenbaum, Jard van Nes, Wiener Philharmoniker, Sir Georg Solti | G Major | 1 | 9B | 126 BPM | ||
Die Zauberflöte, K. 620, Act I: Allegro maestoso - Es lebe Sarastro, Sarastro lebe! | Wolfgang Amadeus Mozart, Wilfried Gahmlich, Anna Gonda, Hungarian Festival Chorus, Budapest Failoni Chamber Orchestra, Michael Halasz, Hellen Kwon, Lotte Leitner, Herbert Lippert, Elizabeth Norberg-Schulz, Kurt Rydl, Georg Tichy, Julia Faulkner, Waltraud Winsauer | B♭ Minor | 1 | 3A | 85 BPM | ||
Le nozze di Figaro, K.492 / Act 1: N. 9. Coro: “Giovani liete, fiori spargete” | Wolfgang Amadeus Mozart, Rolando Villazón, Vocalensemble Rastatt, Jory Vinikour, Chamber Orchestra of Europe, Yannick Nézet-Séguin | G Major | 2 | 9B | 141 BPM | ||
Die Zauberflöte, K.620, Act II: Eine schreckliche Nacht (Tamino, Papageno, Zwei Priester) | Wolfgang Amadeus Mozart, Siegfried Jerusalem, Bernard Haitink, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra | F Major | 1 | 7B | 175 BPM | ||
Violin Concerto No. 2 in D Major, K. 211: 2. Andante | Wolfgang Amadeus Mozart, Erik Smith, Henryk Szeryng, New Philharmonia Orchestra, Alexander Gibson | G Major | 1 | 9B | 96 BPM | ||
Die Zauberflöte, K.620, Act II: Hier seid ihr beide euch allein überlassen (Zwei Priester, Papageno, Tamino, Papagena) | Wolfgang Amadeus Mozart, Siegfried Jerusalem, Bernard Haitink, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra | A♭ Major | 1 | 4B | 115 BPM | ||
Mozart: Die Zauberflöte, K. 620, Act 2 Scene 5: No. 12, Quintett, "Wie? Wie? Wie?" (Drei Damen, Papageno, Tamino, Die Eingeweihten) | Wolfgang Amadeus Mozart, Nicolai Gedda, Otto Klemperer, Philharmonia Orchestra | G Major | 2 | 9B | 99 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Giovinette, che fate all'amore" | Wolfgang Amadeus Mozart, Mojca Erdmann, Konstantin Wolff, Mahler Chamber Orchestra, Yannick Nézet-Séguin, Vocalensemble Rastatt, Holger Speck | G Major | 3 | 9B | 63 BPM |