"Die Zauberflöte, K.620, Act II: Seid uns zum zweiten Mal willkommen (Knaben)" by Wolfgang Amadeus Mozart, Tölzer Knabenchor/Symphonieorchester des Bayerischen Rundfunks/Bernard Haitink, Bernard Haitink, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra was released on 1981. With Die Zauberflöte, K.620, Act II: Seid uns zum zweiten Mal willkommen (Knaben) being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Wolfgang Amadeus Mozart, Bernard Haitink, Bavarian Radio Symphony Orchestra's "Mozart - Die Zauberflöte" album is number 15 out of 59. On top of that, United Kingdom appears to be the country where this track was created. Die Zauberflöte, K.620, Act II: Seid uns zum zweiten Mal willkommen (Knaben) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Zauberflöte, K.620, Act II: Seid uns zum zweiten Mal willkommen (Knaben) by Wolfgang Amadeus Mozart, Tölzer Knabenchor/Symphonieorchester des Bayerischen Rundfunks/Bernard Haitink, Bernard Haitink, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 86 テンポ, a half-time of 43テンポ, and a double-time of 172 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
The music key of this track is C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: Die Zauberflöte, K. 620, Act 2: "Bald prangt, den Morgen zu verkünden" (Die Knaben, Pamina) | Wolfgang Amadeus Mozart, Lucia Popp, Bernard Haitink, Bayerischer Rundfunk, Sinfonie-Orchester Des Bayerischen Rundfunks | A♭ Minor | 1 | 1A | 74 BPM | ||
Così fan tutte, K. 588 / Act I: "Non piangere, idol mio!" | Wolfgang Amadeus Mozart, Adam Plachetka, Rolando Villazón, Alessandro Corbelli, Miah Persson, Angela Brower, Chamber Orchestra of Europe, Yannick Nézet-Séguin | D Minor | 1 | 7A | 121 BPM | ||
Mozart: Mass No. 16 in C Major, K. 337, "Missa solemnis": III. Credo. Allegro vivace - Andante (Chorus, Soprano, Alto, Tenor, Bass) | Wolfgang Amadeus Mozart, Peter Neumann/Collegium Cartusianum Köln/Kölner Kammerchor/Patrizia Kwella/Ulla Groenewold/Christoph Prégardien/Franz-Josef Selig, Peter Neumann, Collegium Cartusianum | E Minor | 2 | 9A | 117 BPM | ||
Requiem in D Minor, K. 626: IV. Domine Jesu Christe (Offertorium) | Wolfgang Amadeus Mozart, Laurence Equilbey, Sandrine Piau, Sara Mingardo, Accentus, Insula Orchestra, Christopher Purves, Werner Güra | F Major | 1 | 7B | 175 BPM | ||
Requiem In D Minor, K. 626: Agnus Dei | Slovak Philharmonic, Peter Mikulas, Magdaléna Hajóssyová, Slovak Philharmonic Chorus, Jozef Kundlák, Jaroslava Horska, Vladimir Ruso, Stefan Klimo, Wolfgang Amadeus Mozart | F Major | 1 | 7B | 83 BPM | ||
Die Zauberflöte, K.620 / Act 2: "Eine schreckliche Nacht" - "Ihr Fremdlinge, was sucht ihr bei uns?" | Wolfgang Amadeus Mozart, Christoph Strehl, Hanno Müller-Brachmann, Georg Zeppenfeld, Danilo Formaggia | D♭ Major | 1 | 3B | 85 BPM | ||
Messe du couronnement, K. 317: Gloria | Wolfgang Amadeus Mozart, La Maîtrise de Paris, Budapest Orfeo Orchestra, Patrice Marco, Gyorgy Vashegyi, Noemi Rime, Christine Batty, Stuart Patterson, Bernard Deletré | G Major | 3 | 9B | 131 BPM | ||
Mathis Der Maler, 6th Tableau, Scene 1: Der liebste Vater, eer verstand mich (Regina/Mathis) | Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra | G Minor | 0 | 6A | 87 BPM | ||
Il barbiere di Siviglia / Act 2: No.15 Temporale (Thunderstorm) | Gioachino Rossini, Bavarian Radio Symphony Orchestra, Bruno Bartoletti | C Major | 2 | 8B | 91 BPM | ||
Così fan tutte, K. 588 / Act I: "Fuor la spada" | Wolfgang Amadeus Mozart, Adam Plachetka, Alessandro Corbelli, Rolando Villazón, Chamber Orchestra of Europe, Yannick Nézet-Séguin | E Major | 1 | 12B | 72 BPM |