"Die Zauberflöte, K.620, Act II: Eine schreckliche Nacht (Tamino, Papageno, Zwei Priester)" by Wolfgang Amadeus Mozart, Siegfried Jerusalem, Bernard Haitink, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra was released on 1981. The duration of Die Zauberflöte, K.620, Act II: Eine schreckliche Nacht (Tamino, Papageno, Zwei Priester) is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Die Zauberflöte, K.620, Act II: Eine schreckliche Nacht (Tamino, Papageno, Zwei Priester)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Bernard Haitink, Bavarian Radio Symphony Orchestra's "Mozart - Die Zauberflöte" album is number 4 out of 59. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Die Zauberflöte, K.620, Act II: Eine schreckliche Nacht (Tamino, Papageno, Zwei Priester) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Zauberflöte, K.620, Act II: Eine schreckliche Nacht (Tamino, Papageno, Zwei Priester) by Wolfgang Amadeus Mozart, Siegfried Jerusalem, Bernard Haitink, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra to be Vivace (lively and fast) because the track has a tempo of 175 テンポ, a half-time of 88テンポ, and a double-time of 350 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Zauberflöte - Singspiel in two acts K620 (1987 Digital Remaster), Act I: Bin ich nicht ein Narr (dialogue: Papageno, Pamina) | Wolfgang Amadeus Mozart, Bavarian State Orchestra, Wolfgang Sawallisch | E Minor | 2 | 9A | 72 BPM | ||
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Credo: Et resurrexit | Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | D Major | 3 | 10B | 121 BPM | ||
Così fan tutte, K. 588 / Act II: "Andate là, che siete due bizzarre ragazze" | Wolfgang Amadeus Mozart, Mojca Erdmann, Miah Persson, Angela Brower, Chamber Orchestra of Europe, Yannick Nézet-Séguin | G Major | 1 | 9B | 81 BPM | ||
Die Zauberflöte, K.620, Act I: Zu Hilfe! Zu Hilfe! (Tamino, Damen) | Wolfgang Amadeus Mozart, Siegfried Jerusalem, Bernard Haitink, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra | D Major | 2 | 10B | 54 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act I Scene 3: Aria - La Vendetta | Donato Di Stefano, Hungarian State Opera Orchestra, Natale de Carolis, Ingrid Kertesi, Jozsef Mukk, Roberto Frontali, Patrizia Pace, Maria Pia Ionata, Wolfgang Amadeus Mozart, Lorenzo Da Ponte | D Major | 1 | 10B | 142 BPM | ||
Alceste (Sung in French), Act III: Act III: Trio: Recois, Dieu bienfaisant (Alcestis, Admetus, Hercules) | Christoph Willibald Gluck, Jessye Norman, Nicolai Gedda, Bernd Weikl, Bavarian Radio Symphony Orchestra, Serge Baudo | C Major | 2 | 8B | 65 BPM | ||
La Clemenza di Tito: Atto primo, scena I. Recitativo Vitellia, Sesto "Ma chè? sempre l'istesso" | Wolfgang Amadeus Mozart, Alexandrina Pendatchanska, René Jacobs, Bernarda Fink, Freiburger Barockorchester | D Major | 1 | 10B | 170 BPM | ||
Die Zauberflöte / Act 2: "Papagena! Papagena!" | Wolfgang Amadeus Mozart, Michael Kraus, Max Emanuel Cenčić, Michael Rausch, Markus Leitner, Wiener Philharmoniker, Sir Georg Solti | G Major | 2 | 9B | 76 BPM | ||
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Sanctus | Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | D Major | 0 | 10B | 130 BPM | ||
Die Zauberflöte, K.620, Act II: Soll ich dich, Teurer, nicht mehr sehn? (Pamina, Sarastro, Tamino) | Wolfgang Amadeus Mozart, Roland Bracht/Siegfried Jerusalem/Lucia Popp/Symphonieorchester des Bayerischen Rundfunks/Bernard Haitink, Bernard Haitink, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra | B♭ Major | 2 | 6B | 137 BPM |