"St. John Passion, BWV 245: Part I: Recitative: Derselbige Junger war dem Hohenpriester bekannt (Evangelist, Ancilla, Petrus, Jesus, Servus)" by Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner was released on March 1, 2011. The duration of St. John Passion, BWV 245: Part I: Recitative: Derselbige Junger war dem Hohenpriester bekannt (Evangelist, Ancilla, Petrus, Jesus, Servus) is about 3 minutes long, at 3:11. Based on our data, "St. John Passion, BWV 245: Part I: Recitative: Derselbige Junger war dem Hohenpriester bekannt (Evangelist, Ancilla, Petrus, Jesus, Servus)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 10 out of 40 in Bach: St John Passion by Johann Sebastian Bach, John Eliot Gardiner. St. John Passion, BWV 245: Part I: Recitative: Derselbige Junger war dem Hohenpriester bekannt (Evangelist, Ancilla, Petrus, Jesus, Servus) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of St. John Passion, BWV 245: Part I: Recitative: Derselbige Junger war dem Hohenpriester bekannt (Evangelist, Ancilla, Petrus, Jesus, Servus) by Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner is Adagio (slowly with great expression), since this song has a tempo of 74 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I. Christ Lag In Todes Banden BWV 4, 5. Coro (Versus IV): Es War Ein Wunderlicher Krieg | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Bas Ramselaar, Nico Van Der Meel, Sytse Buwalda, Johann Sebastian Bach, Pieter Jan Leusink | B Major | 1 | 1B | 71 BPM | ||
Stabat Mater (Hob. XXbis)- 1767: XIIIa.Quando corpus morietur | Joseph Haydn, Patricia Rozario, Catherine Robbin, The English Concert Choir, The English Concert, Trevor Pinnock | F♯ Minor | 0 | 11A | 141 BPM | ||
Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.14 in F sharp minor BWV883 | Daniel Barenboim | B Minor | 7 | 10A | 156 BPM | ||
The Fairy Queen / Act 5: Symphony | Henry Purcell, English Baroque Soloists, John Eliot Gardiner | F♯ Major | 1 | 2B | 135 BPM | ||
Matthäus-Passion, BWV 244, Seconda parte: Nr.45. Auf das Fest aber hatte der Landpfleger (Evangelista, Pilatus, Uxor Pilatus, Chorus I & II) | Johann Sebastian Bach, Raphael Pichon, Ensemble Pygmalion, Julian Prégardien, Christian Immler, Sabine Devieilhe | A♭ Minor | 0 | 1A | 98 BPM | ||
Stabat Mater: 11. Inflammatus | Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood | A Major | 1 | 11B | 102 BPM | ||
Stabat Mater, R.621: 6. "Pro peccatis" (Andante) | Antonio Vivaldi, Michael Chance, The English Concert, Trevor Pinnock | B Minor | 0 | 10A | 83 BPM | ||
Vesperae solennes de confessore, K. 339: III. Beatus vir | Wolfgang Amadeus Mozart, Greta de Reyghere, Marijke van Arnhem, Renaat Deckers, Jan van der Crabben, Capella Brugensis, Collegium Instrumentale Brugense, Patrick Peire | G Major | 1 | 9B | 132 BPM | ||
Johannes-Passion, BWV 245, Pt. 1: No. 10, Recitative: Derselbige Jünger | Johann Sebastian Bach, La Petite Bande, Sigiswald Kuijken, Gerlinde Samann, Petra Noskaiova, Christoph Genz, Jens Hamann, Knut Schoch, Walter Testolin | A♭ Minor | 1 | 1A | 170 BPM | ||
Coffee Cantata, BWV 211: Recitative: Nun folge, was dein Vater spricht | Johann Sebastian Bach, Tafelmusik Baroque Orchestra, Jeanne Lamon, Suzie LeBlanc, Nils Brown, Brett Polegato | D♭ Major | 1 | 3B | 71 BPM |