"Stabat Mater (Hob. XXbis)- 1767: XIIIa.Quando corpus morietur" by Joseph Haydn, Patricia Rozario, Catherine Robbin, The English Concert Choir, The English Concert, Trevor Pinnock was released on January 1, 1990. The duration of Stabat Mater (Hob. XXbis)- 1767: XIIIa.Quando corpus morietur is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Stabat Mater (Hob. XXbis)- 1767: XIIIa.Quando corpus morietur's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Joseph Haydn, Patricia Rozario, Catherine Robbin, Anthony Rolfe Johnson, Cornelius Hauptmann, The English Concert Choir, The English Concert, Trevor Pinnock's "Haydn: Stabat Mater" album is number 13 out of 14. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Stabat Mater (Hob. XXbis)- 1767: XIIIa.Quando corpus morietur's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Stabat Mater (Hob. XXbis)- 1767: XIIIa.Quando corpus morietur by Joseph Haydn, Patricia Rozario, Catherine Robbin, The English Concert Choir, The English Concert, Trevor Pinnock to be Allegro (fast, quick, and bright) because the track has a tempo of 141 テンポ, a half-time of 70テンポ, and a double-time of 282 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on 'Non piu mesta' from Rossini's Opera 'La Cenerentola' | Nora Mercz, Frédéric Chopin, Janos Balint | E Major | 0 | 12B | 73 BPM | ||
Concerto for 2 Oboes in F Major, Op. 9, No. 3: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 1 | 7A | 61 BPM | ||
Cello Concerto No. 1 in G Major: II. Romance: Andantino | Carl Stamitz, Christian Benda, Prague Chamber Orchestra | B♭ Major | 0 | 6B | 91 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
Violin Concerto in G Major (completed by G. Rose): II. Adagio | Johann Nepomuk Hummel, Alexander Trostianski, Russian Philharmonic Orchestra, Gregory Rose | G Major | 1 | 9B | 92 BPM | ||
Solfeggio in C Minor, Wq. 117: No. 2 | Carl Philipp Emanuel Bach, See Siang Wong | C Minor | 2 | 5A | 78 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: V. Finale. Allegro vivace | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | E Major | 1 | 12B | 81 BPM | ||
Symphony No. 94 in G Major, Hob. I:94 "Surprise": I. Adagio cantabile - Vivace assai | Franz Joseph Haydn, European Festival Orchestra, Johann Walter | E♭ Major | 2 | 5B | 138 BPM | ||
Symphony No. 1 in D Major, Hob. I:1: I. Presto | Joseph Haydn, Austro-Hungarian Haydn Orchestra, Ádám Fischer | D Major | 2 | 10B | 139 BPM | ||
Symphony No. 45 in F-Sharp Minor, Hob.I:45, "Farewell": IV. Finale: Presto - Adagio | Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth | A Major | 0 | 11B | 97 BPM |