George Frideric Handel, Choir of King's College, Cambridge, Cambridge, Academy of Ancient Music, Pavlo Beznosiuk, Alastair Ross, Benjamin Bayl, Stephen Cleobury's 'The King shall rejoice: Thou hast prevented him' came out on September 1, 2001. The duration of The King shall rejoice: Thou hast prevented him is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. The King shall rejoice: Thou hast prevented him's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Choir of King's College, Cambridge, Stephen Cleobury's "Handel Coronation Anthems" album is number 10 out of 26. The King shall rejoice: Thou hast prevented him is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The King shall rejoice: Thou hast prevented him by George Frideric Handel, Choir of King's College, Cambridge, Cambridge, Academy of Ancient Music, Pavlo Beznosiuk, Alastair Ross, Benjamin Bayl, Stephen Cleobury to be Larghetto (rather broadly) because the track has a tempo of 66 テンポ, a half-time of 33テンポ, and a double-time of 132 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa "Assumpta Est Maria", H. 11: Missa "Assumpta Est Maria", H. 11: IX. Domine salvum | Marc-Antoine Charpentier, Les Arts Florissants, William Christie | D♭ Minor | 3 | 12A | 93 BPM | ||
Giulio Cesare in Egitto, HWV 17 / Atto secondo: Recitativo "Bella, cotanto aborri chi ti prega d'amar" - Live | George Frideric Handel, Charlotte Hellekant, Bejun Mehta, Guido Larisch, Michel Maldonado, Pascal Monteilhet, Jory Vinikour, Mirella Giardelli | D♭ Major | 1 | 3B | 123 BPM | ||
Just As I Am, Without One Plea (Saffron Walden) | Dennis Brown, Choir of King's College, Cambridge, Stephen Cleobury | D Major | 1 | 10B | 128 BPM | ||
Magnificat (Formerly Attrib. Pergolesi): Deposuit Potentes | Francesco Durante, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, Sir David Willcocks | E♭ Major | 1 | 5B | 97 BPM | ||
L'Orfeo, Atto terzo: IV. Possente Spirto | Claudio Monteverdi, Jordi Savall, Furio Zanasi, Le Concert Des Nations | D Minor | 1 | 7A | 70 BPM | ||
St. Matthew Passion, BWV 244, Pt. 1: No. 19. O Schmerz! Hier zittert das gequälte Herz | Johann Sebastian Bach, Stephen Cleobury, Academy of Ancient Music, Choir of King's College, Cambridge, Mark Le Brocq | F Major | 2 | 7B | 101 BPM | ||
Mass in B Minor, BWV 232: Et in unum Dominum (Soprano, Alto) | Johann Sebastian Bach, Hannah Morrison, Meg Bragle, English Baroque Soloists, John Eliot Gardiner | F♯ Major | 1 | 2B | 78 BPM | ||
Requiem, Op. 9: I. Introit (1961 Version) | Maurice Duruflé, Stephen Cleobury, Choir of King's College, Cambridge, Orchestra of the Age of Enlightenment | F Major | 0 | 7B | 132 BPM | ||
Elijah, Op. 70: "He That Shall Endure to the End" (Chorus) | Felix Mendelssohn, Gabrieli, William Whitehead, Paul McCreesh | F Major | 2 | 7B | 69 BPM | ||
Purcell : King Arthur : Act 5 "You say 'tis Love" [Soprano, Bass] | William Christie | F Minor | 1 | 4A | 111 BPM |