Francesco Durante, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, Sir David Willcocks's 'Magnificat (Formerly Attrib. Pergolesi): Deposuit Potentes' came out on August 1, 1966. With Magnificat (Formerly Attrib. Pergolesi): Deposuit Potentes being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vivaldi: Gloria; Pergolesi: Magnificat by Elizabeth Vaughan, Janet Baker, Ian Partridge, Christopher キーte, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, Sir David Willcocks. The song's track number on the album is #15 out of 17 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Magnificat (Formerly Attrib. Pergolesi): Deposuit Potentes is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Magnificat (Formerly Attrib. Pergolesi): Deposuit Potentes by Francesco Durante, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, Sir David Willcocks has a tempo of 97 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Magnificat (Formerly Attrib. Pergolesi): Deposuit Potentes being at 97 テンポ, the half-time would be 48 テンポ with a double-time of 194 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Agnus Dei-adagio | Matthews, Arnold, American Bach Soloists, Munoz, Butterfield, Jeffrey Thomas | B♭ Major | 1 | 6B | 138 BPM | ||
Stabat Mater: VIII. Virgo virginum | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Predieri: Scipione il giovane, Act 1: "Finche salvo è l'amor suo" (Scipione) | Luca Antonio Predieri, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | A Major | 2 | 11B | 118 BPM | ||
Purcell : King Arthur : Act 2 "Shepherd, shepherd, leave decoying" [Sopranos] | William Christie | F Minor | 1 | 4A | 94 BPM | ||
Requiem in C Minor: I. Introitus | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | A♭ Major | 0 | 4B | 58 BPM | ||
Stabat Mater, P. 77: I. Duo "Stabat Mater dolorosa" | Giovanni Battista Pergolesi, Bernarda Fink, Anna Prohaska, Akademie für Alte Musik Berlin | D Major | 2 | 10B | 97 BPM | ||
Missa pro defuncto Archiepiscopo Sigismundo, "Mass for the death of Archbishop Sigismund": Offertorium: Domine Jesu | Michael Haydn, Ibolya Verebics, Judit Nemeth, Martin Kleitmann, József Moldvay, Hungarian Radio and Television Chorus, Franz Liszt Chamber Orchestra, Helmuth Rilling | G Minor | 1 | 6A | 83 BPM | ||
Beatus vir: II. Exortum est | Domenico Zipoli, Florilegium, Bolivian Soloists | D♭ Minor | 0 | 12A | 135 BPM | ||
Missa Tempore Quadragesimae, MH 553: Agnus Dei | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | G Major | 1 | 9B | 73 BPM | ||
"Where The Bee Sucks" | Thomas Arne, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | F♯ Major | 0 | 2B | 68 BPM |