St. Matthew Passion, BWV 244, Pt. 1: No. 19. O Schmerz! Hier zittert das gequälte Herz

Johann Sebastian Bach, Stephen Cleobury, Academy of Ancient Music, Choir of King's College, Cambridge, Mark Le Brocq
Bach: St. Matthew Passion
2:01 2020年3月27日
テンポ
101
キー
F Major
キャメロットミュージックキー
7B

リンクを埋め込む

共有

St. Matthew Passion, BWV 244, Pt. 1: No. 19. O Schmerz! Hier zittert das gequälte Herz - Johann Sebastian Bach, Stephen Cleobury, Academy of Ancient Music, Choir of King's College, Cambridge, Mark Le Brocq 情報

音響性
99%
ダンサビリティ
41%
エネルギー
17%
手段性
90%
活気
11%
ラウドネス
60%
話し言葉
3%
価数
90%
人気
ラウドネス
-23.996 dB

まとめ

On March 27, 2020, the song "St. Matthew Passion, BWV 244, Pt. 1: No. 19. O Schmerz! Hier zittert das gequälte Herz" was released by Johann Sebastian Bach, Stephen Cleobury, Academy of Ancient Music, Choir of King's College, Cambridge, Mark Le Brocq. The duration of St. Matthew Passion, BWV 244, Pt. 1: No. 19. O Schmerz! Hier zittert das gequälte Herz is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. St. Matthew Passion, BWV 244, Pt. 1: No. 19. O Schmerz! Hier zittert das gequälte Herz's duration is considered a little bit shorter than the average duration of a typical track. The song is number 19 out of 68 in Bach: St. Matthew Passion by Johann Sebastian Bach, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, St. Matthew Passion, BWV 244, Pt. 1: No. 19. O Schmerz! Hier zittert das gequälte Herz is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.

St. Matthew Passion, BWV 244, Pt. 1: No. 19. O Schmerz! Hier zittert das gequälte Herz テンポ

The tempo marking of St. Matthew Passion, BWV 244, Pt. 1: No. 19. O Schmerz! Hier zittert das gequälte Herz by Johann Sebastian Bach, Stephen Cleobury, Academy of Ancient Music, Choir of King's College, Cambridge, Mark Le Brocq is Andante (at a walking pace), since this song has a tempo of 101 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.

St. Matthew Passion, BWV 244, Pt. 1: No. 19. O Schmerz! Hier zittert das gequälte Herz キー

This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 by Janos Sebestyen, Johann Sebastian BachPrelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924Janos Sebestyen, Johann Sebastian BachC Major28B139 BPM
The Well-Tempered Clavier, Book 1, BWV 846-869: Fugue No. 6 in D minor, BWV 851 by Luc BeauséjourThe Well-Tempered Clavier, Book 1, BWV 846-869: Fugue No. 6 in D minor, BWV 851Luc BeauséjourD♭ Minor312A137 BPM
Magnificat en sol mineur, RV 610: X. Sicut erat in principio by Antonio Vivaldi, Jordi Savall, La Capella Reial De Catalunya, Le Concert Des NationsMagnificat en sol mineur, RV 610: X. Sicut erat in principioAntonio Vivaldi, Jordi Savall, La Capella Reial De Catalunya, Le Concert Des NationsA Major011B83 BPM
Matthäus Passion, Parte Seconda: 33. Recitative- Evangelist, Witnesses, High Priest: Und Wiewohl Viel Falsche Zeugen Herzutraten by Stephen Cleobury, David Thomas, Martyn Hill, Michael Chance, Michael George, Rogers Covey-Crump, Johann Sebastian Bach, Choir of King's College, Cambridge, Emma KirkbyMatthäus Passion, Parte Seconda: 33. Recitative- Evangelist, Witnesses, High Priest: Und Wiewohl Viel Falsche Zeugen HerzutratenStephen Cleobury, David Thomas, Martyn Hill, Michael Chance, Michael George, Rogers Covey-Crump, Johann Sebastian Bach, Choir of King's College, Cambridge, Emma KirkbyF♯ Minor011A87 BPM
Dido and Aeneas: Overture by Henry Purcell, English Baroque Soloists, John Eliot GardinerDido and Aeneas: OvertureHenry Purcell, English Baroque Soloists, John Eliot GardinerB Minor210A166 BPM
The Fairy Queen / Act 5: Epithalamium - Thrice Happy Lovers by Henry Purcell, Eiddwen Harrhy, English Baroque Soloists, John Eliot GardinerThe Fairy Queen / Act 5: Epithalamium - Thrice Happy LoversHenry Purcell, Eiddwen Harrhy, English Baroque Soloists, John Eliot GardinerF♯ Major12B135 BPM
Zur Eröffnung der Freimaurerloge: Zerfliesset heut', geliebte Brüder, K.483 by Wolfgang Amadeus Mozart, Werner Krenn, Edinburgh Festival Chorus, Georg FischerZur Eröffnung der Freimaurerloge: Zerfliesset heut', geliebte Brüder, K.483Wolfgang Amadeus Mozart, Werner Krenn, Edinburgh Festival Chorus, Georg FischerA♭ Major14B129 BPM
Instrumental Music from Dioclesian, Z. 627: 2. Preludio by Henry Purcell, Jeanne Lamon, Tafelmusik Baroque OrchestraInstrumental Music from Dioclesian, Z. 627: 2. PreludioHenry Purcell, Jeanne Lamon, Tafelmusik Baroque OrchestraB Minor010A114 BPM
Matthäus Passion, Prima Parte: 19. Recitative (Tenor) With Chorale: O Schmerz! Hier Zittert Das Gequälte Herz by Stephen Cleobury, Martyn Hill, Rogers Covey-Crump, Johann Sebastian Bach, Choir of King's College, Cambridge, David Thomas, Michael Chance, Emma Kirkby, Michael GeorgeMatthäus Passion, Prima Parte: 19. Recitative (Tenor) With Chorale: O Schmerz! Hier Zittert Das Gequälte HerzStephen Cleobury, Martyn Hill, Rogers Covey-Crump, Johann Sebastian Bach, Choir of King's College, Cambridge, David Thomas, Michael Chance, Emma Kirkby, Michael GeorgeE Minor19A130 BPM
Laudate Pueri: VII. Gloria Patri by Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Rowan Pierce, Helen Charlston, Guy Cutting, Academy of Ancient MusicLaudate Pueri: VII. Gloria PatriGiovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Rowan Pierce, Helen Charlston, Guy Cutting, Academy of Ancient MusicB Minor210A71 BPM
ISRC
GBMY51903719
レコードレーベル
L-M Records/RCA Records