"Concerto for 2 Oboes in C Major, Op. 7, No. 2: II. Adagio" by Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John Georgiadis was released on November 8, 1995. The duration of Concerto for 2 Oboes in C Major, Op. 7, No. 2: II. Adagio is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Concerto for 2 Oboes in C Major, Op. 7, No. 2: II. Adagio's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 21 in Albinoni: Oboe Concertos, Vol. 2 by Tomaso Albinoni. Concerto for 2 Oboes in C Major, Op. 7, No. 2: II. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto for 2 Oboes in C Major, Op. 7, No. 2: II. Adagio by Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John Georgiadis is Adagio (slowly with great expression), since this song has a tempo of 68 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in D Minor: II. Adagio | Alessandro Marcello, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | D Minor | 1 | 7A | 131 BPM | ||
Handel: Organ Concerto in F Major, Op. 4 No. 4, HWV 292: IV. Allegro | George Frideric Handel, Valda Aveling, Menuhin Festival Orchestra, Simon Preston, Yehudi Menuhin | G Minor | 4 | 6A | 97 BPM | ||
Dornbacher Hetz March, Op. 97 | Johann Schrammel, Czech Philharmonic Chamber Orchestra, John Georgiadis | G Major | 5 | 9B | 124 BPM | ||
Almack's Quadrille, Op. 243 | Traditional, John Georgiadis, London Symphony Orchestra | B♭ Major | 2 | 6B | 84 BPM | ||
Trumpet Concerto in D Major, G. 28: I. Allegro | Giuseppe Torelli, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | A♭ Major | 2 | 4B | 95 BPM | ||
Das Modell: Niccolo-Marsch | Franz von Suppé, Komorní filharmonie Pardubice, John Georgiadis | G Major | 4 | 9B | 120 BPM | ||
Concerto a 5 in C Major, Op. 9, No. 9 for 2 Oboes, Strings, and Continuo: 3. Allegro | Tomaso Albinoni, Heinz Holliger, Maurice Bourgue, I Musici, Maria Teresa Garatti | C Major | 3 | 8B | 109 BPM | ||
Concerto in G Major for Flute, Strings, and Basso Continuo: II. Adagio | Johann Stamitz, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Major | 0 | 11B | 71 BPM | ||
Le Papillon / Act 2: Act 2, Scene 2, Pas de deux | Jacques Offenbach, John Georgiadis, London Symphony Orchestra, Richard Bonynge | D Major | 1 | 10B | 79 BPM | ||
Oboe Concerto in D Minor, S. Z799: I. Andante | Alessandro Marcello, Musica Bohemica, Jaroslav Krcek, Gabriela Krčková | D Minor | 1 | 7A | 72 BPM |