Franz von Suppé, Komorní filharmonie Pardubice, John Georgiadis made "Das Modell: Niccolo-Marsch" available on July 3, 2015. The duration of Das Modell: Niccolo-Marsch is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Das Modell: Niccolo-Marsch's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 16 in Contemporaries of the Strauss Family, Vol. 2 by Komorní filharmonie Pardubice, John Georgiadis. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Das Modell: Niccolo-Marsch's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Das Modell: Niccolo-Marsch by Franz von Suppé, Komorní filharmonie Pardubice, John Georgiadis is Moderato (at a moderate speed), since this song has a tempo of 120 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 9 in D Minor, Op. 125 "Choral": IV. Finale (Excerpt: Ode to Joy) | Ludwig van Beethoven, Riccardo Muti, Philadelphia Orchestra | D Major | 5 | 10B | 78 BPM | ||
Military Marches, Op. 39 "Pomp and Circumstance": March No. 1 | Edward Elgar, Andrew Davis, BBC Philharmonic | D Major | 3 | 10B | 122 BPM | ||
Karelia Suite, Op. 11: III. Alla marcia | Jean Sibelius, Raimo Laukka, Lahti Symphony Orchestra, Osmo Vänskä | A Major | 2 | 11B | 179 BPM | ||
La traviata / Act 1: "Libiamo ne'lieti calici" (Brindisi) | Giuseppe Verdi, Luciano Pavarotti, Wendy White, Anthony Laciura, Metropolitan Opera Orchestra, James Levine, Metropolitan Opera Chorus | B♭ Major | 1 | 6B | 111 BPM | ||
Die Reise um die Erde in 80 Tagen (Version Without Narration): IIb. Allegro con fuoco | Franz von Suppé, Janacek Philharmonic Orchestra, Dario Salvi | D♭ Minor | 4 | 12A | 147 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Shostakovich: Suite for Jazz Orchestra No. 1, Op. 38a: II. Polka | Dmitri Shostakovich, Philadelphia Orchestra, Mariss Jansons | C Major | 1 | 8B | 131 BPM | ||
Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Gewitter. Sturm. Allegro - | Ludwig van Beethoven, Philadelphia Orchestra, Riccardo Muti | G Major | 0 | 9B | 127 BPM | ||
Aida / Act 2: Marcia | Giuseppe Verdi, Orchestra Del Teatro Dell'Opera Di Roma, Sir Georg Solti | F Minor | 3 | 4A | 148 BPM | ||
Aïda Marche triomphale | Arthur Fiedler, Boston Pops Orchestra | D Major | 3 | 10B | 100 BPM |