"An das Clavier" by Christian Michael Wolff, Carolyn Sampson, Kristian Bezuidenhout was released on March 4, 2022. Since An das Clavier is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 15 in the song's album "Trennung: Songs of Separation". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Sweden. In terms of popularity, An das Clavier is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With An das Clavier by Christian Michael Wolff, Carolyn Sampson, Kristian Bezuidenhout having a テンポ of 115 with a half-time of 58 テンポ and a double-time of 230 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Charpentier: Te Deum, H. 146: XI. Fiat misericordia | Marc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields, Ann Murray, Dawn Upshaw, Kurt Moll | A Minor | 2 | 8A | 73 BPM | ||
Missa pro defuncto Archiepiscopo Sigismundo, MH 154: Agnus Die | Michael Haydn, Christian Zacharias, Johanette Zomer, Helena Rasker, Markus Schäfer, Klaus Mertens, Schweizer Kammerchor, Orchestre de Chambre de Lausanne | B♭ Major | 3 | 6B | 111 BPM | ||
Les adieux de Marie Stuart, WWV 61 (Arr. Fontanelli for Voice and Ensemble) | Richard Wagner, KammerMusikKöln, Kathrin Zukowski | E♭ Major | 1 | 5B | 69 BPM | ||
Mit Fried und Freud ich fahr dahin: Recitative: So hor ich Simeon voll heilger Wollust singen | Christian Michael Wolff, Klaus Mertens, Accademia Daniel, Shalev Ad-El | D♭ Major | 1 | 3B | 90 BPM | ||
Spängler-Menuett I | Leopold Mozart, Bankhaus Spängler | D Major | 1 | 10B | 65 BPM | ||
Requiem in C Minor: IV. Sanctus | Luigi Cherubini, Kammerchor Stuttgart, Hofkapelle Stuttgart, Frieder Bernius | G Major | 2 | 9B | 78 BPM | ||
Der Stein der Weisen, Act II: Duet. Nun, liebes Weibchen | Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Kevin Deas, Jane Giering-De Haan | E♭ Major | 2 | 5B | 77 BPM | ||
Regina coeli, K. 108: Quia quem meruisti portare (Soprano, Chorus) | Wolfgang Amadeus Mozart, Trine Wilsberg Lund, Gewandhaus Chamber Choir, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | F Major | 0 | 7B | 97 BPM | ||
Symphony in D Major, G. 500: IV. Presto | Luigi Boccherini, German Chamber Academy Neuss, Johannes Goritzki | D Major | 3 | 10B | 91 BPM | ||
Strauss, R: 3 Lieder, Op. 29: No. 2, Schlagende Herzen | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM |