"La Bohème / Act 3: "Mimi!" - "Speravo di trovarvi qui" - Live" by Giacomo Puccini, Anna Netrebko, Boaz Daniel, Bavarian Radio Symphony Orchestra, Bertrand de Billy was released on January 1, 2008. With this song being about 5 minutes long, at 4:44, "La Bohème / Act 3: "Mimi!" - "Speravo di trovarvi qui" - Live" by Giacomo Puccini, Anna Netrebko, Boaz Daniel, Bavarian Radio Symphony Orchestra, Bertrand de Billy is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 34 in the song's album "Puccini: La Bohème". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. The popularity of La Bohème / Act 3: "Mimi!" - "Speravo di trovarvi qui" - Live is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Bohème / Act 3: "Mimi!" - "Speravo di trovarvi qui" - Live by Giacomo Puccini, Anna Netrebko, Boaz Daniel, Bavarian Radio Symphony Orchestra, Bertrand de Billy having a テンポ of 176 with a half-time of 88 テンポ and a double-time of 352 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'elisir d'amore / Act 2: Alto! Fronte! | Gaetano Donizetti, Dominic Cossa, Dame Joan Sutherland, Spiro Malas, Luciano Pavarotti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | G Major | 2 | 9B | 119 BPM | ||
Andrea Chénier / Act 1: Questo azzurra sofà ... Compiacente a'colloqui ... Son | Umberto Giordano, Neil Howlett, Leo Nucci, National Philharmonic Orchestra, Riccardo Chailly | F♯ Minor | 3 | 11A | 81 BPM | ||
L'Arlesiana: È la solita storia del pastore | Francesco Cilea, Roberto Alagna, London Philharmonic Orchestra, Richard Armstrong | C Major | 0 | 8B | 84 BPM | ||
Norma / Act 1: Fine al rito | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | B♭ Major | 1 | 6B | 145 BPM | ||
Turandot / Act 1: Gira la cote! | Giacomo Puccini, Coro de la Comunitat Valenciana, Andrea Bocelli, Jessica Nuccio, Orquestra de la Comunitat Valenciana, Zubin Mehta | B♭ Major | 1 | 6B | 81 BPM | ||
Cäcilie | Richard Strauss, Anna Netrebko | A Major | 2 | 11B | 65 BPM | ||
Les Contes d'Hoffmann / Act 2: "Ils se sont éloignés, enfin!" | Jacques Offenbach, Plácido Domingo, Edita Gruberova, Orchestre National De France, Seiji Ozawa | G Minor | 0 | 6A | 74 BPM | ||
Norma / Act 2: Si, fino all'ore estreme | Vincenzo Bellini, Dame Joan Sutherland, Montserrat Caballé, Orchestra of the Welsh National Opera, Richard Bonynge | E♭ Major | 2 | 5B | 115 BPM | ||
Puccini's Manon Lescaut - Donna Non Vidi Mai | Carlo Bergonzi | B♭ Major | 3 | 6B | 116 BPM | ||
Andrea Chénier / Act 4: "Come un bel dì di maggio" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | F♯ Major | 2 | 2B | 85 BPM |