"L'Arlesiana: È la solita storia del pastore" by Francesco Cilea, Roberto Alagna, London Philharmonic Orchestra, Richard Armstrong was released on January 1, 2006. With this song being about 5 minutes long, at 4:54, "L'Arlesiana: È la solita storia del pastore" by Francesco Cilea, Roberto Alagna, London Philharmonic Orchestra, Richard Armstrong is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 17 in the song's album "Opera Arias". In this album, this song's track order is #4. L'Arlesiana: È la solita storia del pastore is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With L'Arlesiana: È la solita storia del pastore by Francesco Cilea, Roberto Alagna, London Philharmonic Orchestra, Richard Armstrong having a テンポ of 84 with a half-time of 42 テンポ and a double-time of 168 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ave Maria (after J.S. Bach) | London Philharmonic Orchestra | G Major | 2 | 9B | 89 BPM | ||
Peer Gynt Suite No. 1, Op. 46: Morning Mood | London Philharmonic Orchestra | E Major | 1 | 12B | 132 BPM | ||
Orfeo ed Euridice / Act 3: Aria: "Che farò senza Euridice?" | Christoph Willibald Gluck, Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | C Major | 2 | 8B | 106 BPM | ||
Il Barbiere di Siviglia, Act I, Scene One: Se il mio nome saper voi bramate (Conte/Rosina/Figaro) | Gioachino Rossini, Alceo Galliera, Philharmonia Orchestra & Chorus, Maria Callas, Luigi Alva, Tito Gobbi | E Minor | 1 | 9A | 171 BPM | ||
Mascagni: Cavalleria rusticana: "Regina coeli" | Pietro Mascagni, Angela Gheorghiu, Emmanuel Villaume, PKF-Prague Philharmonia | G Major | 3 | 9B | 52 BPM | ||
Le nozze di Figaro, K. 492 / Act 3: "E Susanna non vien...Dove sono i biei momenti...Io" | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Giorgio Tadeo, Thomas Allen, London Philharmonic Orchestra, Sir Georg Solti | C Major | 1 | 8B | 126 BPM | ||
Messa di Requiem, Dies irae: Quid sum miser | Giuseppe Verdi, Angela Gheorghiu, Claudio Abbado, Berliner Philharmoniker | E♭ Major | 1 | 5B | 83 BPM | ||
Pagliacci / Act 1: "Sei là" - "So ben che difforme" - "Oh! lasciami" | Ruggero Leoncavallo, Mirella Freni, Ingvar Wixell, National Philharmonic Orchestra, Giuseppe Patanè | E Major | 2 | 12B | 127 BPM | ||
Der Freischütz, J. 277 / Act 2: "Schelm! Halt fest!" | Carl Maria von Weber, Edith Mathis, Gundula Janowitz, Staatskapelle Dresden, Carlos Kleiber | E Major | 2 | 12B | 96 BPM | ||
Requiem in D Minor, K. 626: III. Sequenz, No. 6, Lacrymosa | Wolfgang Amadeus Mozart, Andrej Kucharsky, Catherine Bremen, Elisabeth Santi, Todd Donovan, London Philharmonic Choir, David Parry, London Philharmonic Orchestra | G Minor | 2 | 6A | 96 BPM |