Édouard Lalo, Maxim Vengerov, Antonio Pappano, Philharmonia Orchestra's 'Lalo: Symphonie espagnole, Op. 21: I. Allegro non troppo' came out on September 1, 2003. Since Lalo: Symphonie espagnole, Op. 21: I. Allegro non troppo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Maxim Vengerov, Antonio Pappano, Philharmonia Orchestra's "Lalo: Symphonie Espagnole/Saint-Saens: Vln Cto/Ravel: Tzigane" album is number 1 out of 9. Lalo: Symphonie espagnole, Op. 21: I. Allegro non troppo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lalo: Symphonie espagnole, Op. 21: I. Allegro non troppo by Édouard Lalo, Maxim Vengerov, Antonio Pappano, Philharmonia Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 75 テンポ, a half-time of 38テンポ, and a double-time of 150 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto, FP 146: 2. Andante con moto | Francis Poulenc, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit | E♭ Major | 0 | 5B | 81 BPM | ||
Légende op. 17 | Henryk Wieniawski, Ray Chen | G Minor | 1 | 6A | 63 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op. 61, MWV M 13: No. 5, Intermezzo | Felix Mendelssohn, Philharmonia Orchestra, Sir Neville Marriner | D Minor | 1 | 7A | 136 BPM | ||
Korngold: Violin Concerto in D Major, Op. 35: III. Allegro assai vivace | Erich Wolfgang Korngold, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | A Major | 1 | 11B | 122 BPM | ||
Puccini: Madama Butterfly, Act 2, Scene 1: "Una nave da guerra" (Suzuki, Butterfly) | Giacomo Puccini, Antonio Pappano, Angela Gheorghiu, Enkelejda Shkosa, Orchestra dell'Accademia Nazionale di Santa Cecilia | F♯ Minor | 2 | 11A | 61 BPM | ||
Pini di Roma (The Pines of Rome): I. I pini di Villa Borghese | Ottorino Respighi, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | F Major | 3 | 7B | 97 BPM | ||
Violin Concerto No. 2 in D minor Op. 22 (1985 Digital Remaster): I. Allegro moderato | Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Cello Concerto in D Minor: 1. Prélude: Lento - Allegro maestoso | Édouard Lalo, Pierre Fournier, Orchestre des Concerts Lamoureux, Jean Martinon | D Minor | 2 | 7A | 93 BPM | ||
Glazunov: Violin Concerto in A Minor, Op. 82: II. Andante sostenuto | Alexander Glazunov, Itzhak Perlman, Zubin Mehta, Israel Philharmonic Orchestra | A♭ Major | 2 | 4B | 108 BPM |