"Piano Concerto, FP 146: 2. Andante con moto" by Francis Poulenc, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit was released on September 6, 1993. Piano Concerto, FP 146: 2. Andante con moto is about six minutes long, preciously at 5:41, making this song fairly long compared to other songs. There are a total of 13 in the song's album "Poulenc: Piano Concerto; Concerto For Two Pianos; Organ Concerto". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Piano Concerto, FP 146: 2. Andante con moto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto, FP 146: 2. Andante con moto by Francis Poulenc, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit having a テンポ of 81 with a half-time of 40 テンポ and a double-time of 162 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rachmaninov: 6 Moments Musicaux, Op. 16: No. 5 in D-Flat Major | Sergei Rachmaninoff, Nikolai Lugansky | F♯ Major | 0 | 2B | 68 BPM | ||
Piano Trio, Op. 11: 3. Lied. Allegretto | Fanny Mendelssohn, Seraphim Trio | D Major | 1 | 10B | 106 BPM | ||
Symphonie "Mathis der Maler": I. Engelkonzert | Paul Hindemith, Berliner Philharmoniker, Claudio Abbado | D Major | 1 | 10B | 106 BPM | ||
Le Piccadilly | Erik Satie, Pascal Rogé | D Minor | 2 | 7A | 92 BPM | ||
Piano Quartet in E flat, Op.47: 1. Sostenuto assai - Allegro ma non troppo | Robert Schumann, Beaux Arts Trio, Samuel Rhodes | E♭ Major | 1 | 5B | 93 BPM | ||
Farewell to Stromness (Arr. for Orchestra) | Peter Maxwell Davies, Philharmonia Orchestra, Christopher Warren-Green | D Major | 0 | 10B | 59 BPM | ||
String Quartet No.2 in D Major | Alexander Borodin, Borodin Quartet | D Major | 1 | 10B | 174 BPM | ||
Orfeo ed Euridice, Act II Scene 2: Ballet Music, "Reigen der seligen Geister" (arr. W. Kempff): Orpheus and Eurydice: Ballet Music - Reigen der seligen Geister (trans. W. Kempff) | Wilhelm Kempff, Christoph Willibald Gluck, Idil Biret | F Major | 0 | 7B | 81 BPM | ||
Piano Concerto No. 2 in G Minor, Op. 22, R. 190: 1. Andante sostenuto | Camille Saint-Saëns, Pascal Rogé, Royal Philharmonic Orchestra, Charles Dutoit | G Minor | 1 | 6A | 86 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM |