Felix Mendelssohn, Philharmonia Orchestra, Sir Neville Marriner's 'A Midsummer Night's Dream, Incidental Music, Op. 61, MWV M 13: No. 5, Intermezzo' came out on January 1, 1983. The duration of A Midsummer Night's Dream, Incidental Music, Op. 61, MWV M 13: No. 5, Intermezzo is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. A Midsummer Night's Dream, Incidental Music, Op. 61, MWV M 13: No. 5, Intermezzo's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Felix Mendelssohn, Arleen Auger, Ann Murray, Ambrosian Singers, Philharmonia Orchestra, Sir Neville Marriner's "Mendelssohn: A Midsummer Night's Dream" album is number 5 out of 11. On top of that, Netherlands appears to be the country where this track was created. Based on our statistics, A Midsummer Night's Dream, Incidental Music, Op. 61, MWV M 13: No. 5, Intermezzo's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of A Midsummer Night's Dream, Incidental Music, Op. 61, MWV M 13: No. 5, Intermezzo by Felix Mendelssohn, Philharmonia Orchestra, Sir Neville Marriner to be Allegro (fast, quick, and bright) because the track has a tempo of 136 テンポ, a half-time of 68テンポ, and a double-time of 272 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 105 BPM | ||
Piano Concerto No. 24 in C Minor, K. 491: II. Largo | Wolfgang Amadeus Mozart, Ivan Moravec, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 0 | 5B | 94 BPM | ||
Symphony No. 3 in C Major, Op. 32: III. Andante | Nikolai Rimsky-Korsakov, St. Petersburg State Symphony Orchestra, Andre Anichanov | A Minor | 3 | 8A | 136 BPM | ||
6 Pieces, Op. 6 (revised version): I. Langsam | Anton Webern, Philharmonia Orchestra, Robert Craft | A Minor | 0 | 8A | 0 BPM | ||
Piano Quartet No. 1 in C Minor, Op. 15: I. Allegro molto moderato | Gabriel Fauré, Kungsbacka Piano Trio, Philip Dukes | D Major | 1 | 10B | 128 BPM | ||
Symphony No. 3 In E Flat, Op. 97 - "Rhenish": 4. Feierlich | Robert Schumann, Berliner Philharmoniker, Herbert von Karajan | E♭ Minor | 1 | 2A | 87 BPM | ||
Pictures at an Exhibition: Limoges marché | Modest Mussorgsky, Evgeny Kissin | B Minor | 2 | 10A | 183 BPM | ||
Schumann: Symphony No. 2 in C Major, Op. 61: II. Scherzo (Allegro vivace) | Robert Schumann, San Francisco Symphony, Michael Tilson Thomas | G Major | 2 | 9B | 126 BPM | ||
Lalo: Symphonie espagnole, Op. 21: II. Scherzando (Allegro molto) | Édouard Lalo, Maxim Vengerov, Antonio Pappano, Philharmonia Orchestra | G Major | 0 | 9B | 103 BPM | ||
Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Dance of the Blessed Spirits | Christoph Willibald Gluck, Philharmonia Orchestra, Riccardo Muti | C Major | 0 | 8B | 65 BPM |