"Symphony No. 4 (Ed. T. Brodhead): I. Prelude. Maestoso [Live]" by Charles Ives, Seattle Symphony Chorale, Seattle Symphony Orchestra, Ludovic Morlot, Julia Tai had its release date on January 8, 2016. The duration of This song is about 3 minutes long, at 3:27. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Charles Ives, Seattle Symphony Orchestra, Ludovic Morlot, Julia Tai, Stilian Kirov, David Alexander Rahbee's "Ives: Symphonies Nos. 3 & 4, The Unanswered Question & Central Park in the Dark" album is number 1 out of 9. Symphony No. 4 (Ed. T. Brodhead): I. Prelude. Maestoso [Live] is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 4 (Ed. T. Brodhead): I. Prelude. Maestoso [Live] by Charles Ives, Seattle Symphony Chorale, Seattle Symphony Orchestra, Ludovic Morlot, Julia Tai to be Andante (at a walking pace) because the track has a tempo of 80 テンポ, a half-time of 40テンポ, and a double-time of 160 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shylock, Op. 57: V. Nocturne | Gabriel Fauré, London Festival Orchestra, Ross Pople | G Major | 0 | 9B | 82 BPM | ||
Alborada del gracioso, M. 43 - Orchestral Version | Maurice Ravel, Sherman Walt, Boston Symphony Orchestra, Seiji Ozawa | D Major | 1 | 10B | 118 BPM | ||
In Re Con Moto et al, Op. 20 | Charles Ives, Eva Gruesser, Mia Wu, Rachel Evans, Beverly Lauridsen, Cheryl Seltzer, Continuum | F Major | 2 | 7B | 110 BPM | ||
Symphony No. 5 in E-flat major, Op. 82: III. Allegro molto - Largamente assai | Jean Sibelius, Orchestre Métropolitain, Yannick Nézet-Séguin | D Major | 2 | 10B | 71 BPM | ||
Ives: Set No. 3 for Chamber Orchestra: I. At Sea. Adagio sostenuto | Charles Ives, Ensemble Modern, Ingo Metzmacher | G Major | 0 | 9B | 95 BPM | ||
Britten: Holiday Diary, Op. 5: II. Sailing | Benjamin Britten, Stephen Hough | D Major | 0 | 10B | 76 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): IV. Fileuse - Allegretto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | G Major | 0 | 9B | 90 BPM | ||
Les Noces, Première partie, Premier tableau: Chez la mariée | Igor Stravinsky, RIAS Kammerchor, Ensemble Musikfabrik, Carolyn Sampson, Susan Parry, Vsevolod Grivnov, Maxim Mikhailov, Daniel Reuss | F Major | 0 | 7B | 181 BPM | ||
Memories, Very Pleasant & Rather Sad (A Charles Ives Song Set): I. Remembrance | Charles Ives, Jonathan Elkus, Sara Dell'Omo, United States Marine Band, Jason K. Fettig | E Minor | 1 | 9A | 81 BPM | ||
The Seven Stars' Symphony, Op. 132: II. Lilian Harvey | Charles Koechlin, Sinfonieorchester Basel, Ariane Matiakh | D♭ Major | 1 | 3B | 81 BPM |