"Memories, Very Pleasant & Rather Sad (A Charles Ives Song Set): I. Remembrance" by Charles Ives, Jonathan Elkus, Sara Dell'Omo, United States Marine Band, Jason K. Fettig was released on May 27, 2016. With Memories, Very Pleasant & Rather Sad (A Charles Ives Song Set): I. Remembrance being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 5 out of 15 in Be Glad Then, America by United States Marine Band, Jason K. Fettig. Memories, Very Pleasant & Rather Sad (A Charles Ives Song Set): I. Remembrance is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Memories, Very Pleasant & Rather Sad (A Charles Ives Song Set): I. Remembrance by Charles Ives, Jonathan Elkus, Sara Dell'Omo, United States Marine Band, Jason K. Fettig is Andante (at a walking pace), since this song has a tempo of 81 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Langsamer Satz | Anton Webern, Novus Quartet | E♭ Major | 1 | 5B | 90 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 1b. Poco adagio | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | D♭ Major | 0 | 3B | 80 BPM | ||
Don Quixote, Op. 35, TrV 184: Finale: Don Quixotes Tod | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | D Major | 0 | 10B | 83 BPM | ||
Concerto Grosso: II. Serenata | Maya Badian, Cristian Balea, Ilie Dornescu, Romanian National Orchestra, Ludovic Bacs | A Major | 1 | 11B | 119 BPM | ||
Music for Strings, Percussion and Celesta, Sz. 106: IV. Allegro molto | Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti | D♭ Major | 3 | 3B | 121 BPM | ||
Valses nobles et sentimentales, M. 61 (1912 Version for Orchestra): No. 3, Modéré | Maurice Ravel, Basque National Orchestra, Robert Trevino | C Major | 0 | 8B | 82 BPM | ||
The Firebird (L'oiseau De Feu) - Suite (1919): Introduction | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | G Minor | 0 | 6A | 85 BPM | ||
Pierrot Lunaire, Op. 21 / Part 1: IV. Eine blasse Wäscherin | Arnold Schoenberg, Christine Schäfer, Ensemble Intercontemporain, Pierre Boulez | B Minor | 0 | 10A | 96 BPM | ||
Concerto for Orchestra, Sz. 116, BB 123: I. Introduzione - Andante non troppo - Allegro vivace | Béla Bartók, Fritz Reiner, Chicago Symphony Orchestra | D♭ Major | 1 | 3B | 130 BPM | ||
Piano Concerto No.1 for piano, trumpet & strings, Op.35: 2. Lento | Dmitri Shostakovich, Ronald Brautigam, Peter Masseurs, Concertgebouworkest, Riccardo Chailly | C Major | 0 | 8B | 69 BPM |