"Concerto for Orchestra, Sz. 116, BB 123: I. Introduzione - Andante non troppo - Allegro vivace" by Béla Bartók, Fritz Reiner, Chicago Symphony Orchestra was released on 1956. Concerto for Orchestra, Sz. 116, BB 123: I. Introduzione - Andante non troppo - Allegro vivace appears to be safe for all ages as it is not explicit. The song is number 1 out of 5 in Bartók: Concerto for Orchestra, Sz. 116 by Béla Bartók, Fritz Reiner. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Concerto for Orchestra, Sz. 116, BB 123: I. Introduzione - Andante non troppo - Allegro vivace's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto for Orchestra, Sz. 116, BB 123: I. Introduzione - Andante non troppo - Allegro vivace by Béla Bartók, Fritz Reiner, Chicago Symphony Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 130 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Faust Symphony, S.108: 1. Faust | Franz Liszt, Chicago Symphony Orchestra, Sir Georg Solti | F♯ Minor | 2 | 11A | 184 BPM | ||
Prince Igor (Knyaz Igor): Overture | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | G Minor | 2 | 6A | 71 BPM | ||
Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | B♭ Major | 1 | 6B | 155 BPM | ||
Concerto for Violin & Orchestra, Op. 14: III. Presto in moto perpetuo | Samuel Barber, Gil Shaham, London Symphony Orchestra, André Previn | A Minor | 5 | 8A | 97 BPM | ||
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM | ||
Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | E Major | 1 | 12B | 95 BPM | ||
La mer, L. 109: III. Dialogue du vent et de la mer | Claude Debussy, Cleveland Orchestra, Pierre Boulez | D♭ Major | 2 | 3B | 80 BPM | ||
Piano Concerto No. 1, Op. 45: I. Con grandezza | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | G Major | 1 | 9B | 70 BPM | ||
El amor brujo: Ritual Fire Dance | Manuel de Falla, Fritz Reiner, Chicago Symphony Orchestra | G Major | 1 | 9B | 134 BPM | ||
Turangalîla Symphonie: 4. Chant d'amour 2 | Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra Bastille, Myung-Whun Chung | E Major | 2 | 12B | 71 BPM |