"Turangalîla Symphonie: 4. Chant d'amour 2" by Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra Bastille, Myung-Whun Chung was released on January 1, 1991. Turangalîla Symphonie: 4. Chant d'amour 2 appears to be safe for all ages as it is not explicit. The track order of this song in Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre De La Bastille, Myung-Whun Chung's "Messiaen: Turangalîla Symphony" album is number 4 out of 10. Turangalîla Symphonie: 4. Chant d'amour 2 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Turangalîla Symphonie: 4. Chant d'amour 2 by Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra Bastille, Myung-Whun Chung to be Adagio (slowly with great expression) because the track has a tempo of 71 テンポ, a half-time of 36テンポ, and a double-time of 142 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quatuor pour la fin du temps: 3. Abîme des oiseaux | Olivier Messiaen, Luben Yordanoff, Albert Tétard, Claude Desurmont, Daniel Barenboim | F Minor | 5 | 4A | 84 BPM | ||
Symphony No.1 in E Major, Op. 26: III. Lento | Alexander Scriabin, London Symphony Orchestra, Valery Gergiev | C Major | 1 | 8B | 89 BPM | ||
Schoenberg: 5 Orchestral Pieces, Op. 16: No. 5 Das obligate Rezitativ (The obbligato recitative) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | C Major | 0 | 8B | 138 BPM | ||
Trio in A Minor, Op. 114: IV. Allegro | Johannes Brahms, Martin Fröst, Roland Pöntinen, Torleif Thedéen | D Major | 0 | 10B | 169 BPM | ||
Musica ricercata: No. 8, Vivace - Energico | György Ligeti, Pierre-Laurent Aimard | A Major | 3 | 11B | 100 BPM | ||
Hyperprism | Edgard Varèse, Polish National Radio Symphony Orchestra, Christopher Lyndon-Gee | D♭ Major | 3 | 3B | 143 BPM | ||
Quatuor pour la fin du temps: 2. Vocalise, pour l'Ange qui annonce la fin du temps | Olivier Messiaen, Luben Yordanoff, Albert Tétard, Claude Desurmont, Daniel Barenboim | G Major | 1 | 9B | 97 BPM | ||
Symphony No. 9 in E-Flat Major, Op. 70: IV. Largo | Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic | F Major | 0 | 7B | 78 BPM | ||
String Quartet, "1931": IV. Allegro possibile | Ruth Crawford Seeger, Pacifica Quartet | D Minor | 1 | 7A | 102 BPM | ||
Carmen (1997 - Remaster), Act I: Avec la garde montante | Georges Bizet, Nicolai Gedda, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | D Minor | 1 | 7A | 122 BPM |