"Schoenberg: 5 Orchestral Pieces, Op. 16: No. 5 Das obligate Rezitativ (The obbligato recitative)" by Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra was released on April 27, 1995. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 20 in the song's album "Schonberg : Verklärte Nacht, 5 Orchestral Pieces & Piano Works". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Germany. Based on our statistics, Schoenberg: 5 Orchestral Pieces, Op. 16: No. 5 Das obligate Rezitativ (The obbligato recitative)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schoenberg: 5 Orchestral Pieces, Op. 16: No. 5 Das obligate Rezitativ (The obbligato recitative) by Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra having a テンポ of 138 with a half-time of 69 テンポ and a double-time of 276 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 1/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schoenberg: 5 Orchestral Pieces, Op. 16: No. 4 Peripetie (Peripeteia) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | B♭ Minor | 1 | 3A | 76 BPM | ||
Schoenberg: 3 Piano Pieces, Op. 11: No. 1 Mässig (Viertel) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | A♭ Major | 0 | 4B | 103 BPM | ||
Pierrot Lunaire, Op.21 (1912) / Part 1: 3. Der Dandy | Arnold Schoenberg, Christine Schäfer, Ensemble Intercontemporain, Pierre Boulez | A Major | 0 | 11B | 76 BPM | ||
Lieder ohne Worte, Op.19: No. 5 In F Sharp Minor (Agitato), MWV U 90 - "Restlessness" | Felix Mendelssohn, Daniel Barenboim | F♯ Minor | 1 | 11A | 128 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 12. B.G.N. (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B♭ Major | 0 | 6B | 82 BPM | ||
Pelléas et Mélisande, (Suite), Op. 46: III. At The Seashore | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | F♯ Minor | 0 | 11A | 66 BPM | ||
Violin Concerto in D Major, Op. 35: III. Finale - Allegro assai vivace | Erich Wolfgang Korngold, Jascha Heifetz, Alfred Wallenstein | G Major | 4 | 9B | 76 BPM | ||
Symphony No.1 in E Major, Op. 26: II. Allegro drammatico | Alexander Scriabin, London Symphony Orchestra, Valery Gergiev | F♯ Major | 0 | 2B | 84 BPM | ||
Dance Preludes *: No. 5. Allegro molto | Witold Lutosławski, Charles West, Susan Grace | B♭ Major | 2 | 6B | 131 BPM | ||
Pictures At An Exhibition (Orch. Ravel): 8a. Catacombae (Sepulchrum Romanum) | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | B Minor | 0 | 10A | 71 BPM |