Dmitri Shostakovich, Alexander Melnikov's '24 Preludes & Fugues, Op. 87: Prelude no.4 in E minor. Andante' came out on May 11, 2010. The duration of 24 Preludes & Fugues, Op. 87: Prelude no.4 in E minor. Andante is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. 24 Preludes & Fugues, Op. 87: Prelude no.4 in E minor. Andante's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 48 in the song's album "Shostakovich: 24 Preludes & Fugues". In this album, this song's track order is #7. Furthermore, we believe that the track originated from France. 24 Preludes & Fugues, Op. 87: Prelude no.4 in E minor. Andante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 24 Preludes & Fugues, Op. 87: Prelude no.4 in E minor. Andante by Dmitri Shostakovich, Alexander Melnikov having a テンポ of 66 with a half-time of 33 テンポ and a double-time of 132 テンポ, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Préludes / Book 1, L. 117: 6. Des pas sur la neige | Claude Debussy, Daniel Barenboim | F Major | 0 | 7B | 71 BPM | ||
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM | ||
10 Pieces for Piano, Op. 58: Der Hirt, No. 4 | Jean Sibelius, Leif Ove Andsnes | D♭ Major | 1 | 3B | 121 BPM | ||
Sonata for Violin and Piano in A: 3. Recitativo - Fantasia (Ben moderato - Largamente - Molto vivace) | César Franck, Kaja Danczowska, Krystian Zimerman | D Major | 0 | 10B | 84 BPM | ||
Marchenbilder (Fairy Tales), Op. 113: III. Rasch | Robert Schumann, Tabea Zimmermann, Hartmut Höll | F Major | 1 | 7B | 82 BPM | ||
Pyat'dney-pyat' nochey (Five Days - Five Nights), Op. 111a: I. Introduction | Lev Atovmyan, Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | B Major | 0 | 1B | 80 BPM | ||
Isoldes Liebestod from Tristan und Isolde, S. 447 (after Richard Wagner) | Franz Liszt, Vladimir Horowitz | B Major | 0 | 1B | 68 BPM | ||
Schluss | Fanny Mendelssohn, Heather Schmidt | C Major | 0 | 8B | 118 BPM | ||
Piano Quartet in E-Flat Major, Op. 47: II. Scherzo (Molto vivace) | Robert Schumann, Alexander Melnikov, Jerusalem Quartet | A♭ Major | 1 | 4B | 82 BPM | ||
Suite No. 2 in F Major, HWV 427: III. Adagio | George Frideric Handel, Seong-Jin Cho | D Minor | 0 | 7A | 134 BPM |