Pyat'dney-pyat' nochey (Five Days - Five Nights), Op. 111a: I. Introduction

Lev Atovmyan, Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar
Shostakovich: Gadfly Suite (The) / Five Days-Five Nights Suite
7:16 1997年1月20日
テンポ
80
キー
B Major
キャメロットミュージックキー
1B

リンクを埋め込む

共有

Pyat'dney-pyat' nochey (Five Days - Five Nights), Op. 111a: I. Introduction - Lev Atovmyan, Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar 情報

音響性
93%
ダンサビリティ
18%
エネルギー
3%
手段性
91%
活気
6%
ラウドネス
61%
話し言葉
4%
価数
5%
人気
ラウドネス
-23.417 dB

まとめ

"Pyat'dney-pyat' nochey (Five Days - Five Nights), Op. 111a: I. Introduction" by Lev Atovmyan, Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar was released on January 20, 1997. Since Pyat'dney-pyat' nochey (Five Days - Five Nights), Op. 111a: I. Introduction is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 17 in the song's album "Shostakovich: Gadfly Suite (The) / Five Days-Five Nights Suite". In this album, this song's track order is #13. Pyat'dney-pyat' nochey (Five Days - Five Nights), Op. 111a: I. Introduction is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Pyat'dney-pyat' nochey (Five Days - Five Nights), Op. 111a: I. Introduction テンポ

With Pyat'dney-pyat' nochey (Five Days - Five Nights), Op. 111a: I. Introduction by Lev Atovmyan, Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar having a テンポ of 80 with a half-time of 40 テンポ and a double-time of 160 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Pyat'dney-pyat' nochey (Five Days - Five Nights), Op. 111a: I. Introduction キー

This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Ballet Suite No. 2 (arr. L. Atovmyan): III. Polka (Suite No. 1 for Jazz Orchestra) by Lev Atovmyan, Dmitri Shostakovich, Robert Nagel, Bernard Greenhouse, Columbia Symphony Orchestra, Efrem KurtzBallet Suite No. 2 (arr. L. Atovmyan): III. Polka (Suite No. 1 for Jazz Orchestra)Lev Atovmyan, Dmitri Shostakovich, Robert Nagel, Bernard Greenhouse, Columbia Symphony Orchestra, Efrem KurtzC Major48B126 BPM
M. Glinka: Overture To Opera M. Glinka: Overture To Opera "Ruslan and Lyudmila"Chicago Symphony Orchestra, L. SmitA Major111B82 BPM
Ballet Suite No. 4 (arr. L. Atovmyan): Prelude (Variation) (The Limpid Stream) by Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry YablonskyBallet Suite No. 4 (arr. L. Atovmyan): Prelude (Variation) (The Limpid Stream)Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry YablonskyB Minor210A77 BPM
Carmen Suite No. 1: 1. Prélude by Georges Bizet, Orchestre de Paris, Semyon BychkovCarmen Suite No. 1: 1. PréludeGeorges Bizet, Orchestre de Paris, Semyon BychkovA Minor18A96 BPM
Paquita: Polonaise and Mazurka by Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris SpassovPaquita: Polonaise and MazurkaLudwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris SpassovC Major28B176 BPM
Don Quixote: Act III: Quiteria's Variation by Ludwig Minkus, Sofia National Opera Orchestra, Nayden TodorovDon Quixote: Act III: Quiteria's VariationLudwig Minkus, Sofia National Opera Orchestra, Nayden TodorovC Major18B167 BPM
The Tale Of Tsar Saltan: 3. The Flight Of The Bumble-Bee by Nikolai Rimsky-Korsakov, Philharmonia Orchestra, Vladimir AshkenazyThe Tale Of Tsar Saltan: 3. The Flight Of The Bumble-BeeNikolai Rimsky-Korsakov, Philharmonia Orchestra, Vladimir AshkenazyD Minor07A187 BPM
The Gadfly Suite, Op. 97a (arr. L. Atovmyan): XII. Finale by Lev Atovmyan, Dmitri Shostakovich, Berlin Radio Symphony Orchestra, Leonid GrinThe Gadfly Suite, Op. 97a (arr. L. Atovmyan): XII. FinaleLev Atovmyan, Dmitri Shostakovich, Berlin Radio Symphony Orchestra, Leonid GrinB♭ Major56B110 BPM
Maxim trilogy Suite, Op. 50a (arr. L. Atovmyan): IX. Overture to Vyborg District by Lev Atovmyan, Dmitri Shostakovich, Svetlana Katchour, Rundfunkchor Berlin, Berlin Radio Symphony Orchestra, Michail JurowskiMaxim trilogy Suite, Op. 50a (arr. L. Atovmyan): IX. Overture to Vyborg DistrictLev Atovmyan, Dmitri Shostakovich, Svetlana Katchour, Rundfunkchor Berlin, Berlin Radio Symphony Orchestra, Michail JurowskiB♭ Minor33A127 BPM
Carmen, Opera Suite No. 1: IV. Aragonaise, Act 4 by London Festival Orchestra Alfred ScholzCarmen, Opera Suite No. 1: IV. Aragonaise, Act 4London Festival Orchestra Alfred ScholzD Minor17A123 BPM
ISRC
This song does not have an ISRC.
レコードレーベル
L-M Records/RCA Records