"Pyat'dney-pyat' nochey (Five Days - Five Nights), Op. 111a: I. Introduction" by Lev Atovmyan, Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar was released on January 20, 1997. Since Pyat'dney-pyat' nochey (Five Days - Five Nights), Op. 111a: I. Introduction is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 17 in the song's album "Shostakovich: Gadfly Suite (The) / Five Days-Five Nights Suite". In this album, this song's track order is #13. Pyat'dney-pyat' nochey (Five Days - Five Nights), Op. 111a: I. Introduction is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pyat'dney-pyat' nochey (Five Days - Five Nights), Op. 111a: I. Introduction by Lev Atovmyan, Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar having a テンポ of 80 with a half-time of 40 テンポ and a double-time of 160 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ballet Suite No. 2 (arr. L. Atovmyan): III. Polka (Suite No. 1 for Jazz Orchestra) | Lev Atovmyan, Dmitri Shostakovich, Robert Nagel, Bernard Greenhouse, Columbia Symphony Orchestra, Efrem Kurtz | C Major | 4 | 8B | 126 BPM | ||
M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM | ||
Ballet Suite No. 4 (arr. L. Atovmyan): Prelude (Variation) (The Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | B Minor | 2 | 10A | 77 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Paquita: Polonaise and Mazurka | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | C Major | 2 | 8B | 176 BPM | ||
Don Quixote: Act III: Quiteria's Variation | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | C Major | 1 | 8B | 167 BPM | ||
The Tale Of Tsar Saltan: 3. The Flight Of The Bumble-Bee | Nikolai Rimsky-Korsakov, Philharmonia Orchestra, Vladimir Ashkenazy | D Minor | 0 | 7A | 187 BPM | ||
The Gadfly Suite, Op. 97a (arr. L. Atovmyan): XII. Finale | Lev Atovmyan, Dmitri Shostakovich, Berlin Radio Symphony Orchestra, Leonid Grin | B♭ Major | 5 | 6B | 110 BPM | ||
Maxim trilogy Suite, Op. 50a (arr. L. Atovmyan): IX. Overture to Vyborg District | Lev Atovmyan, Dmitri Shostakovich, Svetlana Katchour, Rundfunkchor Berlin, Berlin Radio Symphony Orchestra, Michail Jurowski | B♭ Minor | 3 | 3A | 127 BPM | ||
Carmen, Opera Suite No. 1: IV. Aragonaise, Act 4 | London Festival Orchestra Alfred Scholz | D Minor | 1 | 7A | 123 BPM |