Georg Philipp Telemann, Federico Guglielmo's 'Fantasia No. 1 in B-Flat Major, TWV 40:14: III. Grave' came out on May 1, 2015. With Fantasia No. 1 in B-Flat Major, TWV 40:14: III. Grave being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 40 in the song's album "Telemann: 12 Fantasias for Violin Solo". In this album, this song's track order is #3. Fantasia No. 1 in B-Flat Major, TWV 40:14: III. Grave is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Fantasia No. 1 in B-Flat Major, TWV 40:14: III. Grave by Georg Philipp Telemann, Federico Guglielmo having a テンポ of 76 with a half-time of 38 テンポ and a double-time of 152 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Balletto à 3 in G Major, Op. 3 No. 3: I. Preludio. Largo | Tomaso Albinoni, London Baroque | F♯ Major | 2 | 2B | 105 BPM | ||
Concerto Grosso in C Minor, Op. 2, No. 2: III. Adagio | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 57 BPM | ||
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
Suite en Ré Majeur pour 2 trompettes, timbales, orchestre à cordes et basse continue: Suite en Ré Majeur pour 2 trompettes, timbales, orchestre à cordes et basse continue: I. Ouverture | Georg Philipp Telemann, Akademie für Alte Musik Berlin | D♭ Major | 3 | 3B | 100 BPM | ||
Symphony in A Major, Op. 1, No. 3, (Callen 3): I. Allegro | Franz Ignaz Beck, New Zealand Chamber Orchestra, Donald Armstrong | E Major | 2 | 12B | 153 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: IV. Les Capricieuses | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 4 | 6A | 136 BPM | ||
Concerto Grosso In F Major, Op. 6, No. 9: III. Corrente: Vivace | Arcangelo Corelli, Daniela Ruso, Quido Holbling, Ludovit Kanta, Anna Holbling, Capella Istropolitana | F Major | 2 | 7B | 198 BPM | ||
Overture in G Major, TWV 55:G7: IV. Chaconne | Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire, Dirk Lippens, Elisabeth Schollaert | D Major | 0 | 10B | 71 BPM | ||
Concerto a 5 in B flat, Op.7, no.10 for Strings and Continuo: 3. Allegro | Tomaso Albinoni, I Musici | B♭ Major | 2 | 6B | 107 BPM | ||
Sonata in C Major, No. 3: IV. Allegro | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | B Major | 3 | 1B | 125 BPM |