Johann Sebastian Bach, János Starker, György Sebök's 'Sonata for Viola da Gamba in G Minor, BWV 1029: 2. Adagio (Arr. for Cello and Piano)' came out on January 1, 2000. The duration of Sonata for Viola da Gamba in G Minor, BWV 1029: 2. Adagio (Arr. for Cello and Piano) is about 3 minutes long, at 3:12. Based on our data, "Sonata for Viola da Gamba in G Minor, BWV 1029: 2. Adagio (Arr. for Cello and Piano)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 36 in Essential Bach by Johann Sebastian Bach, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Sonata for Viola da Gamba in G Minor, BWV 1029: 2. Adagio (Arr. for Cello and Piano) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata for Viola da Gamba in G Minor, BWV 1029: 2. Adagio (Arr. for Cello and Piano) by Johann Sebastian Bach, János Starker, György Sebök is Moderato (at a moderate speed), since this song has a tempo of 109 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Harmonies des bois, Op. 76: No. 2 Les Larmes de Jacqueline | Jacques Offenbach, Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo Gimeno | C Major | 0 | 8B | 65 BPM | ||
Goldberg Variations, BWV 988: Var. 1 | Johann Sebastian Bach, Murray Perahia | G Major | 3 | 9B | 106 BPM | ||
5 Short Pieces: No. 5, A Sunday Evening in Autumn | Francis Purcell Warren, Steven Isserlis, Stephen Hough | A Major | 0 | 11B | 68 BPM | ||
Cantilena from Sonata No.11 in D minor, Op.148 | Josef Rheinberger, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | F Major | 1 | 7B | 90 BPM | ||
Elgar: Salut d'amour, Op. 12 | Edward Elgar, Itzhak Perlman, Samuel Sanders | D Major | 1 | 10B | 176 BPM | ||
Concerto Grosso in D Major, Op. 6 No. 4: II. Allegro | Arcangelo Corelli, Jordi Savall, Le Concert Des Nations | D♭ Major | 3 | 3B | 133 BPM | ||
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
Violin Concerto in A Minor, BWV 1041: II. Andante | Johann Sebastian Bach, Kolja Blacher, Cologne Chamber Orchestra, Helmut Muller-Bruhl | C Major | 1 | 8B | 74 BPM | ||
Johann Sebastian Bach: Praeludium I C-Dur BWV 846 | Květa Novotná | C Major | 1 | 8B | 103 BPM | ||
Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby] | Johannes Brahms, Yo-Yo Ma | E♭ Major | 0 | 5B | 134 BPM |