"Cantilena from Sonata No.11 in D minor, Op.148" by Josef Rheinberger, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd was released on March 25, 1999. Cantilena from Sonata No.11 in D minor, Op.148 is about six minutes long, preciously at 6:16, making this song fairly long compared to other songs. The song is number 14 out of 15 in Cello Moods by Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd, Alexander Borodin, Alexander Glazunov, Anonymous, César Franck, Claude Debussy, Edward Elgar, Frédéric Chopin, Giulio Caccini, Johann Sebastian Bach, Josef Rheinberger, Jules Massenet, Luigi Boccherini, Max Bruch. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Cantilena from Sonata No.11 in D minor, Op.148 is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cantilena from Sonata No.11 in D minor, Op.148 by Josef Rheinberger, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd is Andante (at a walking pace), since this song has a tempo of 90 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pomp And Circumstance March No 1 | Edward Elgar, Royal Philharmonic Orchestra, Philip Ellis | D Major | 3 | 10B | 88 BPM | ||
Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Concerto for Cello & Wind Band: II. Idylle | Friedrich Gulda, Nicolas Altstaedt, Alexander Joel, Deutsche Staatsphilharmonie Rheinland-Pfalz | B♭ Major | 0 | 6B | 80 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Romance for Cello and Piano | Frederick Delius, Yo-Yo Ma, Kathryn Stott | B Major | 0 | 1B | 66 BPM | ||
Oboe Concerto in F Major, Op. 7, No. 9: II. Adagio | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | F Major | 1 | 7B | 164 BPM | ||
Chant du menestrel for Cello and Orchestra, Op. 71 | Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin | F♯ Minor | 0 | 11A | 87 BPM | ||
Cello Concerto: I. Introduction-Allegro | Bruce Wolosoff, Sara Sant'Ambrogio, Grzegorz Nowak, Royal Philharmonic Orchestra | D Major | 2 | 10B | 91 BPM | ||
Cello Concerto: III. Allegro | Bruce Wolosoff, Sara Sant'Ambrogio, Grzegorz Nowak, Royal Philharmonic Orchestra | F Major | 2 | 7B | 115 BPM |