"Laudes de sainte Ursule: XX. Antienne "Et ideo puelle iste"" by Hildegard von Bingen, Ensemble Organum, Marcel Pérès was released on 1996. With Laudes de sainte Ursule: XX. Antienne "Et ideo puelle iste" being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Hildegard von Bingen, Ensemble Organum, Marcel Pérès's "Hildegard von Bingen: Laudes de sainte Ursule" album is number 20 out of 25. On top of that, France appears to be the country where this track was created. Laudes de sainte Ursule: XX. Antienne "Et ideo puelle iste" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Laudes de sainte Ursule: XX. Antienne "Et ideo puelle iste" by Hildegard von Bingen, Ensemble Organum, Marcel Pérès to be Adagio (slowly with great expression) because the track has a tempo of 72 テンポ, a half-time of 36テンポ, and a double-time of 144 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
O virga ac diadema | Hildegard von Bingen, Ensemble Mediatrix | G Major | 6 | 9B | 110 BPM | ||
Antiphona O, quam mirabilis est | Hildegard von Bingen, Tiburtina Ensemble, Barbora Kabátková, Hana Blaziková, Kamila Mazalová | G Major | 0 | 9B | 63 BPM | ||
Studium divinitatis (Zeal of divinity) | Hildegard von Bingen, David Bevan, Ciaran O'Keefe, Hannah Taylor, Zachary Taylor, Oxford Girls' Choir, Richard Vendome | D Minor | 0 | 7A | 87 BPM | ||
Lamentations, Stasis 3 - "Every generation" | Archangel Voices | F Major | 1 | 7B | 134 BPM | ||
Antiphon XV, Holy Friday Matins - Dcn. Sergius Trubachov | Archangel Voices | G Minor | 1 | 6A | 75 BPM | ||
Fête de Saint Jean-Baptiste: Offertoire: Justus ut palma | Traditionnel, Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Dom Joseph Gajard | C Major | 2 | 8B | 85 BPM | ||
Dominica Pentecostes: V. Communio (Factus est) | Gregorian Chants, Karel Frana, Boni Puncti | E♭ Minor | 0 | 2A | 75 BPM | ||
La Messe: Communion "Beatam me dicent" | Choeur des moines de l'abbaye Notre Dame de Fontgombault | G Major | 1 | 9B | 69 BPM | ||
Andreae Apostoli | Pro Cantione Antiqua, Mark Brown | A Minor | 1 | 8A | 131 BPM | ||
Compostela "Ad vesperas Sancti Iacobi": XI. Benedicamus Domino "Deo Gracias" | Codex Calixtinus, Ensemble Organum, Marcel Pérès | C Major | 1 | 8B | 106 BPM |