"Studium divinitatis (Zeal of divinity)" by Hildegard von Bingen, David Bevan, Ciaran O'Keefe, Hannah Taylor, Zachary Taylor, Oxford Girls' Choir, Richard Vendome was released on January 1, 1998. With Studium divinitatis (Zeal of divinity) being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Hildegard von Bingen, Richard Vendome's "Hildegard Of Bingen: Choral Music (Angelic Voices - Heavenly Music From A Medieval Abbey)" album is number 2 out of 15. On top of that, United Kingdom appears to be the country where this track was created. Studium divinitatis (Zeal of divinity) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Studium divinitatis (Zeal of divinity) by Hildegard von Bingen, David Bevan, Ciaran O'Keefe, Hannah Taylor, Zachary Taylor, Oxford Girls' Choir, Richard Vendome to be Andante (at a walking pace) because the track has a tempo of 87 テンポ, a half-time of 44テンポ, and a double-time of 174 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viderunt omnes: ...salutare suum ante conspectum gentium revelavit... | Pérotin, Tonus Peregrinus, Antony Pitts | D♭ Major | 3 | 3B | 86 BPM | ||
Ubi Caritas | Ola Gjeilo, Westminster Williamson Voices, James Jordan | G Major | 2 | 9B | 77 BPM | ||
Bogorodice, Devo, Radujsa | St. Peter St. Paul Cathedral Choir of Minsk | F Major | 1 | 7B | 124 BPM | ||
Confitemini Domino, IAC 1 | Alessandro Constantini, Pro Musica, Szabó Dénes | A Minor | 1 | 8A | 133 BPM | ||
In matutinis laudibus | Hildegard von Bingen, Sequentia, Barbara Thornton | A Minor | 0 | 8A | 74 BPM | ||
Viderunt omnes No. 3: ...fines terre salutare dei nostri jubilate deo omnis terra (plainchant) | Léonin, Tonus Peregrinus, Antony Pitts | D♭ Major | 2 | 3B | 134 BPM | ||
Sibil-La Mallorquina: Los Infants Qui Nats No Seran R/ (Monastère Des Nonnes De La Concepció) | La Capella Reial De Catalunya, Montserrat Figueras, Jordi Savall | B♭ Major | 0 | 6B | 81 BPM | ||
Viderunt omnes No. 2: ...salutare suum ante conspectum gentium revelavit... | Léonin, Tonus Peregrinus, Antony Pitts | D♭ Major | 1 | 3B | 70 BPM | ||
Cantiga de Santa Maria 300: Muito deveria ome sempr' a loar | Ensemble Discantus, Brigitte Lesne | A♭ Minor | 1 | 1A | 108 BPM | ||
Viderunt omnes No. 2: ...Dominus... | Léonin, Tonus Peregrinus, Antony Pitts | D♭ Major | 1 | 3B | 66 BPM |