"Suite Iberia (After Albéniz): I. Rondeña" by Efrain Oscher, Fábio Brum, Kammerensemble Konsonanz, Pacho Flores was released on July 10, 2020. Since Suite Iberia (After Albéniz): I. Rondeña is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 8 in Egregore+ by Fábio Brum, Kammerensemble Konsonanz, Pacho Flores. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Suite Iberia (After Albéniz): I. Rondeña is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suite Iberia (After Albéniz): I. Rondeña by Efrain Oscher, Fábio Brum, Kammerensemble Konsonanz, Pacho Flores is Lento (slowly), since this song has a tempo of 58 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Puccini: La bohème, Act 1: "Sì. Mi chiamano Mimì" (Mimi) | Giacomo Puccini, Maria Callas, Tullio Serafin, Philharmonia Orchestra | D Major | 0 | 10B | 91 BPM | ||
Barroqueana Venezolana No. 2 - Andante Merengabile | Efrain Oscher, Pacho Flores | G Minor | 1 | 6A | 126 BPM | ||
La Traviata: Act III: Addio del passato | Giuseppe Verdi, Georges Prêtre | F Major | 0 | 7B | 95 BPM | ||
Danzón No. 5 | Arturo Márquez, Quinteto Anáhuac | E Minor | 2 | 9A | 87 BPM | ||
Addio del passato - Violetta | Giuseppe Verdi, Anna Netrebko | A Minor | 0 | 8A | 92 BPM | ||
La bohème / Act 1: "Sì. Mi chiamano Mimì" | Giacomo Puccini, Mirella Freni, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 83 BPM | ||
Sérénade A Dulcinée | Ernesto Halffter, Leticia Moreno, Ana-Maria Vera | A Minor | 1 | 8A | 128 BPM | ||
Serse, HWV 40: Ombra mai fu | George Frideric Handel, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | E Major | 1 | 12B | 135 BPM | ||
Quintette à cordes No. 6 en Ut Majeur, G. 324, Op. 30 "La Musica Notturna delle Strade di Madrid": V. Los Manolos (Passa calle). Allegro vivo | Luigi Boccherini, Ophélie Gaillard, Pulcinella Orchestra | B Minor | 1 | 10A | 96 BPM | ||
Adagio Allegro Molto | Orquesta Filarmónica de Viena | E Minor | 2 | 9A | 115 BPM |